Om postmodernismen og en videreudvikling af forfatterens teorier med eksempler fra filosofi og malerkunst

Employs a critical Afrocentric reading of Western constructions of knowledge so as to overcome the dehumanizing tendencies of modernity. Afrocentricity is the most intellectually dominant idea in the African world, one that is having a growing impact on social science discourse. This paradigm, philosophically rooted in African cultures and values, fundamentally challenges major epistemological traditions in Western thought, such as modernism and postmodernism, Marxism, existentialism, feminism, and postcolonialism. In The Demise of the Inhuman, Ana Monteiro-Ferreira reviews what Molefi Kete Asante has called the “infrastructures of dominance and privilege,” arguing that Western concepts such as individualism, colonialism, race and ethnicity, universalism, and progress, are insufficient to overcome various forms of oppression. Afrocentricity, she argues, can help lead us beyond Western structures of thought that have held sway since the early

Beauty versus beasts. In the wake of a devastating biological disaster, the United States east of the Mississippi River has been abandoned. Now called the Feral Zone, a reference to the virus that turned millions of people into bloodthirsty savages, the entire area is off-limits. The punishment for violating the border is death.Lane McEvoy can't imagine why anyone would risk it. She's grown up in the shadow of the great wall separating east from west, and she's curious about what's on the other side - but not that curious. Life in the west is safe, comfortable . . . sanitized. Which is just how she likes it.But Lane gets the shock of her life when she learns that someone close to her has crossed into the Feral Zone. And she has little choice but to follow. Lane travels east, risking life and limb and her very DNA, completely unprepared for what she finds in the ruins of civilization . . . and afraid to learn whether her humanity will prove her greatest strength or a fatal weakness.

This book is a study of selected texts of British writings on Indian wildlife published between 1860 and 1960. Set in the context of British colonial rule in India, this book also reflects on similar situations across the British Empire and other colonial empires. The destruction of wildlife in the making of empires is a subject not yet fully explored in scholarship. This book aims to speak to global concerns regarding the extinction of several species and shows that the crisis has international roots. The Inhuman Empire breaks new grounds as it juxtaposes colonial narratives to folk narratives. These two types of narratives treat nonhuman animals very differently – folk narrative considers them sentient beings, while colonial narratives see them as ‘game’ and do not care for their sentience. Both types of narratives are further evaluated with reference to the contemporary position of natural sciences regarding animal sentience and of anthropologists and philosophers regarding the relationship between nature and culture. Analyzing colonial accounts of hunting, the author looks at the pain and suffering of nonhuman animals and combines statistics alongside narratives of British writers, Indian populace and nonhuman animals in order to show narratives' reflect and impact reality. This book will be of great value to those interested in Animal Studies, Folkloristics, the history of Colonialism and India.

The Inhumans are one of Marvel's most enduring oddities. A race of genetic anomalies secluded on their island kingdom of Attilan, their mutations are self-inflicted; as a coming-of-age ritual, each Inhuman exposes themselves to the Terrigen Mists that impart unearthly powers - some extraordinary, some monstrous. But now, Attilan is under attack from without and within. Can the Royal Family, led by the mute Black Bolt, repel the foreign invaders who assail their outer defenses, as well as the internal threat of Black Bolt's insane brother, Maximus the Mad? Paul Jenkins and Jae Lee infuse one of Marvel's oldest families with a modern sensibility - including international politics, class dissension and the age-old struggle of growing up. Dark and grimly compelling, it remains one of Marvel Knights' most beloved stories. COLLECTING: Inhumans (1998) 1-12

Globalization promises to bring people around the world together, to unite them as members of the human community. To such sanguine expectations, Pheng Cheah responds deftly with a sobering account of how the "inhuman" imperatives of capitalism and technology are transforming our understanding of humanity and its prerogatives. Through an examination of debates about cosmopolitanism and human rights, Inhuman Conditions questions key ideas about what it means to be human that underwrite our understanding of globalization. Cheah asks whether the contemporary international division of labor so irreparably compromises and mars global solidarities and our sense of human belonging that we must radically rethink cherished ideas about humankind as the bearer of dignity and freedom or culture as a power of transcendence. Cheah links influential arguments about the new cosmopolitanism drawn from the humanities, the social sciences, and cultural studies to a perceptive examination of the older cosmopolitanism of Kant and Marx, and juxtaposes them with proliferating formations of collective culture to reveal the flaws in claims about the imminent decline of the nation-state and the obsolescence of popular nationalism. Cheah also proposes a radical rethinking of the normative force of human rights in light of how Asian values challenge human rights universalism.

Collection of essays examining the ways in which humanity is enmeshed in its surroundings.