From the most original and beloved screenwriter of his generation, the complete Oscar-nominated screenplay of Quentin Tarantino's World War II epic Inglorious Basterds. From the brilliant writer/director behind the iconic films Pulp Fiction, Kill Bill, and Once Upon a Time in Hollywood, comes Tarantino's most ambitious movie: a World War II epic starring Brad Pitt and filmed on location in Germany and France. The action tale follows the parallel story of a guerrilla-like squad of American soldiers called "The Basterds" and the French Jewish teenage girl Shosanna who find themselves behind enemy Nazi lines during the German occupation. When the Inglourious Basterds encounter Shosanna at a propaganda screening at the movie house she runs, they conspire to launch an unexpected plot to end the war. Pitt plays Lieutenant Aldo Raine -- the leader of the Basterds. Raine is an illiterate hillbilly from the mountains of Tennessee who puts together a team of eight Jewish-American soldiers to hunt down the Nazis. Filled with Tarantino's trademark electric dialogue and thrilling action sequences, Inglourious Basterds is one of the most celebrated films of the twenty-first century.

Reviews originally appeared in the Chicago sun-times.

Focusing particularly on the British context, this study offers the first analysis of contemporary popular and literary fiction, film, TV and art exhibitions about Nazis and Nazism.

Quentin Tarantino is the most exciting and fascinating film director of recent years. Since he exploded onto the scene with the release of "Reservoir Dogs", he is one of the few movie makers to combine critical success with box office clout. With more than a hundred interviews with colleagues, close friends and family, author Wensley Clarkson explores the enigmatic cinematic legend in depth.Born in 1963, Tarantino was a film buff from an early age and, determined to join the industry, he studied, wrote scripts and polished his already geekily vast knowledge of all things cinematic by working in a video store. True Romance's screenplay was sold early on, but it was the dazzling "Reservoir Dogs" that was to be his debut and a movie which stunned the world. The hits kept on coming with "Pulp Fiction", "Jackie Brown" and "Kill Bill".The whole of Tarantino's dazzling career, his motor mouth reputation and his latest chiller, Grind House, are revealed in a book which draws on sources close to the director, including Connie, Tarantino's mother. Bold, pioneering and always unpredictable, Quentin Tarantino is the ultimate movie director with a fascinating story. Discover it all with this gripping account of his life and times.

A wide-ranging study of Tarantino's controversial 2009 film, written by a luminous line-up of international scholars.

Master composer Ennio Morricone's scores go hand-in-hand with the idea of the Western film. Often considered the world's greatest living film composer, and most widely known for his innovative scores to The Good, the Bad, and the Ugly and the other Sergio Leone's movies, The Mission, Cinema Paradiso and more recently, The Hateful Eight, Morricone has spent the past 60 years reinventing the sound of cinema. In Ennio Morricone: In His Own Words, composers Ennio Morricone and Alessandro De Rosa present a years-long discussion of life, music, and the marvelous and unpredictable ways that the two come into contact with and influence each other. The result is what Morricone himself defines: "beyond a shadow of a doubt the best book ever written about me, the most authentic, the most detailed and well curated. The truest." Opening for the first time the door of his creative laboratory, Morricone offers an exhaustive and rich account of his life, from his early years of study to genre-defining collaborations with the most important Italian and international directors, including Leone, Bertolucci, Pasolini, Argento, Tornatore, Malick, Carpenter, Stone, Nichols, De Palma, Beatty, Levinson, Almodóvar, Polanski, and Tarantino. In the process, Morricone unveils the curious relationship that links music and images in cinema, as well as the creative urgency at the foundation of his experimentations with "absolute music". Throughout these conversations with De Rosa, Morricone dispenses invaluable insights not only on composing but also on the broader process of adaptation and what it means to be human. As he reminds us, "Coming into contact with memories doesn't only entail the melancholy of something that slips away with time, but also looking forward, understanding who I am now. And who knows what else may still happen."