Doomed to hell, Spanish poet Federico Garcia Lorca is confronted by two different versions of his former self.

Winner of Spain's prestigious Alfaguara Prize in Fiction, Caracol Beach is a gripping, kaleidoscopic novel about isolation, love, fear, and the collision of strangers' lives on one fateful night in a Florida town. On the outskirts of the quiet resort community of Caracol Beach, its unlikeliest--and perhaps most dangerous--resident plots his own demise. A Cuban veteran of the war in Angola, the sole survivor of an ambush that killed off the rest of his platoon, Beto Milanes has for eighteen years been racked with guilt and grief and tormented by terrible visions. Determined to end his suffering but unable to take his own life, he sets out to find someone who will do it for him. So begins a night of madness, violence, and, ultimately, redemption. Drawn into the soldier's nightmare world are an improbable group of men and women, whose lives will never again be the same: an aging police chief with a penchant for pizza; a foulmouthed prostitute; a transvestite with a killer judo chop; a beautiful student haunted by her own ghosts; and two ill-fated would-be heroes. With audacity, humor, and deep insight into the human condition, Eliseo Alberto explores the horror of war, the pain of exile, the power of forgiveness, and the inescapable, sometimes cruel toll of destiny. The story that unfolds is at once shocking and comic, surprising and poignant, evoking classic tragedy and the absurdity of modern life. Combining the narrative power of a master storyteller with the phantasmagoric vision of a filmmaker, Eliseo Alberto has created a literary tour de force.

Acclaimed translator Edith Grossman brings to English-language readers Rojas’s imaginative vision of Francisco de Goya and the reverberations of his art in Fascist Spain This historical novel by one of Spain’s most celebrated authors weaves a tale of disparate time periods: the early years of the nineteenth century, when Francisco de Goya was at the height of his artistic career, and the final years of Generalissimo Franco’s Fascist rule in the 1970s. Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain’s War of Independence. Goya obliges the king’s request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco’s body lying in state and experiences again a dark and monstrous despair. Rojas's work is a dazzling tour de force, a unique combination of narrative invention and art historical expertise that only he could have brought to the page.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

"Anything we take for granted, Mr. Everett means to show us, may turn out to be a lie." —Wall Street Journal * Finalist for the Los Angeles Times Book Prize * Finalist for the PEN / Faulkner Award for Fiction * A story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write? Let's simplify: a woman seeks an apprenticeship with a painter, claiming to be his long-lost daughter. A contractor-for-hire named Murphy can't distinguish between the two brothers who employ him. And in Murphy's troubled dreams, Nat Turner imagines the life of William Styron. These narratives twist together with anecdotes from the nursing home, each building on the other until they crest in a wild, outlandish excursion of the inmates led by the father. Anchoring these shifting plotlines is a running commentary between father and son that sheds doubt on the truthfulness of each story. Because, after all, what narrator can we ever trust? Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everett's recurring preoccupations. All of his prior work, his metaphysical and philosophical inquiries, his investigations into the nature of narrative, have led to this masterful book. Percival Everett has never been more cunning, more brilliant and subversive, than he is in this, his most important and elusive novel to date.

Augusto Monterroso is widely known for short stories characterized by brilliant satire and wit. Yet behind scathing allusions to the weaknesses and defects of the artistic and intellectual worlds, they show his generous and expansive sense of compassion. This book brings together for the first time in English the volumes Complete Works (and Other Stories) (Obras completas [y otros cuentos] 1959) and Perpetual Motion (Movimiento perpetuo 1972). Together, they reveal Monterroso as a foundational author of the new Latin American narrative.

"Juxtaposed with the animal passions conjured by the married couple is a series of lyrical love letters to "Angela" from "Abel," two lovers with a secret of their own, explored but not explained until the very end, when their fate mirrors that of Celia and Fernando."--BOOK JACKET.