Excerpt from The Infernal Comedy But naked vice is better far Than vice in virtue cloaked, Disgrace can nothing touch nor mar; Its bearer is not yoked. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In 'Mark Twain's Comedy Classics: 190+ Stories & Sketches (Illustrated Edition)', readers are treated to a collection of humorous tales and witty sketches that showcase Mark Twain's comedic genius. Twain's signature satirical style is on full display as he expertly critiques the social norms and conventions of his time with sharp wit and clever wordplay. Each story and sketch is a masterclass in comedic writing, making this book a must-read for fans of humor and satire. The illustrations included in this edition add an extra layer of enjoyment to Twain's timeless humor, bringing his characters and settings to vivid life. Mark Twain's work continues to resonate with readers today, proving the enduring relevance of his comedic voice. It's a delightful read that will leave you chuckling and contemplating long after you've finished.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

An essential companion for the student of literature. Works selected include the best-known works of the classical Greek and Roman theatre.

Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages. Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it. Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.

Beware The Silence: 560+ Horror Classics, Macabre Tales & Supernatural Mysteries is a monumental anthology that showcases the evolution and diversity of horror and supernatural literature. Spanning centuries of literary contributions, this collection presents an unparalleled variety of styles, from the gothic horror of Mary Shelley to the psychological terror of H.P. Lovecraft, and the cosmic dread of Algernon Blackwood. It reflects a broad spectrum of themes such as the human psyche, existential dread, and the supernatural, providing readers with a comprehensive view of the genres development. Standout pieces within this collection underscore the rich tapestry of fear and curiosity that defines horror literature, making it a significant compilation for both scholars and enthusiasts alike. The contributing authors and editors of this anthology are titans in the literary world, each bringing their own unique voice and perspective to the theme of horror and supernatural mysteries. The collection aligns with various historical, cultural, and literary movements, showcasing the genre's adaptability and resilience through different epochs. From the romanticism of Edgar Allan Poe to the modernist ambiguities of Ambrose Bierce, and the pioneering science fiction horror of H.G. Wells, the anthology is a testament to the genres ability to evolve while exploring the depths of human fear, curiosity, and imagination. Together, these authors weave a complex narrative that transcends the simply macabre, inviting readers to ponder the human condition and the unknown. Beware The Silence offers readers an extraordinary opportunity to immerse themselves in the multifaceted world of horror and supernatural mysteries. It is an invitation to explore the shadows of literature, where the echoes of centuries-old fears, desires, and uncertainties resonate with contemporary readers. This anthology is not only an academic treasure trove for students and scholars of literary studies but also a labyrinth of terror and wonder for the lay reader. Each page turn promises to enrich ones understanding of the genre, providing a panoramic view of its historical evolution and the myriad ways it continues to captivate the imagination. For anyone eager to delve into the abyss of horror literature, this collection serves as both a comprehensive guide and a thrilling companion.

This meticulously edited horror collection is formatted for your eReader with a functional and detailed table of contents: Mary Shelley: Frankenstein The Mortal Immortal... John William Polidori: The Vampyre Bram Stoker: Dracula The Jewel of Seven Stars... Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Washington Irving: The Legend of Sleepy Hollow Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Edgar Allan Poe: The Tell-Tale Heart The Murders in the Rue Morgue The Black Cat... Henry James: The Turn of the Screw The Ghostly Rental... H. P. Lovecraft: The Dunwich Horror The Shunned House... Algernon Blackwood: The Willows A Haunted Island Ancient Sorceries... Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla Uncle Silas... Ann Radcliffe: The Mysteries of Udolpho The Italian M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Haunted Hotel The Devil's Spectacles Émile Erckmann & Alexandre Chatrian: The Man-Wolf The Waters of Death... Amelia B. Edwards: Monsieur Maurice The Phantom Coach... Mary E. Wilkins Freeman: The Wind in the Rose-bush The Shadows on the Wall Arthur Machen: The Great God Pan The Terror... William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Wilhelm Hauff: The Severed Hand Adelbert von Chamisso: Shadowless Man Edward Bulwer-Lytton: The Haunted and the Haunters... Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark David Lindsay: The Haunted Woman Marie Belloc Lowndes: From Out the Vast Deep Edward Bellamy: Dr. Heidenhoff's Process The Ghost in the Cap'n Brown House (Harriet Beecher Stowe) The Apparition of Mrs. Veal (Daniel Defoe) When the World Was Young (Jack London) Mr. Bloke's Item (Mark Twain)...