Alex's Wake is a tale of two parallel journeys undertaken seven decades apart. In the spring of 1939, Alex and Helmut Goldschmidt were two of more than 900 Jewish refugees fleeing Nazi Germany aboard the St. Louis, “the saddest ship afloat” (New York Times). Turned away from Cuba, the United States, and Canada, the St. Louis returned to Europe, a stark symbol of the world's indifference to the gathering Holocaust. The Goldschmidts disembarked in France, where they spent the next three years in six different camps before being shipped to their deaths in Auschwitz. In the spring of 2011, Alex's grandson, Martin Goldsmith, followed in his relatives' footsteps on a six-week journey of remembrance and hope, an irrational quest to reverse their fate and bring himself peace. Alex's Wake movingly recounts the detailed histories of the two journeys, the witnesses Martin encounters for whom the events of the past are a vivid part of a living present, and an intimate, honest attempt to overcome a tormented family legacy.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Built in 1927, the German ocean liner SS Cap Arcona was the greatest ship since the RMS Titanic and one of the most celebrated luxury liners in the world. When the Nazis seized control in Germany, she was stripped down for use as a floating barracks and troop transport. Later, during the war, Hitler's minister, Joseph Goebbels, cast her as the "star" in his epic propaganda film about the sinking of the legendary Titanic. Following the film's enormous failure, the German navy used the Cap Arcona to transport German soldiers and civilians across the Baltic, away from the Red Army's advance. In the Third Reich's final days, the ill-fated ship was packed with thousands of concentration camp prisoners. Without adequate water, food, or sanitary facilities, the prisoners suffered as they waited for the end of the war. Just days before Germany surrendered, the Cap Arcona was mistakenly bombed by the British Royal Air Force, and nearly all of the prisoners were killed in the last major tragedy of the Holocaust and one of history's worst maritime disasters. Although the British government sealed many documents pertaining to the ship's sinking, Robert P. Watson has unearthed forgotten records, conducted many interviews, and used over 100 sources, including diaries and oral histories, to expose this story. As a result, The Nazi Titanic is a riveting and astonishing account of an enigmatic ship that played a devastating role in World War II and the Holocaust.

A stirring testament to the strength of the human spirit and the power of music, Violins of Hope tells the remarkable stories of violins played by Jewish musicians during the Holocaust, and the Israeli violin maker dedicated to bringing these inspirational instruments back to life. The violin has formed an important aspect of Jewish culture for centuries, both as a popular instrument with classical Jewish musicians—Jascha Heifetz, Yehudi Menuhin, Itzhak Perlman—and also a central factor of social life as part of the enduring Klezmer tradition. But during the Holocaust, the violin assumed extraordinary new roles within the Jewish community. For some musicians, the instrument was a liberator; for others, it was a savior that spared their lives. For many, the violin provided comfort in mankind’s darkest hour, and, in at least one case, helped avenge murdered family members. Above all, the violins of the Holocaust represented strength and optimism for the future. In Violins of Hope, music historian James A. Grymes tells the amazing, horrifying, and inspiring story of the violins of the Holocaust, and of Amnon Weinstein, the renowned Israeli violinmaker who has devoted the past twenty years to restoring these instruments in tribute to those who were lost, including 400 members of his own family. Juxtaposing tales of individual violins with one man’s harrowing struggle to reconcile his own family’s history and the history of his people, it is a poignant, affecting, and ultimately uplifting look at the Holocaust and its enduring impact.

Advance Praise for the Inextinguishable Symphony "A Fascinating Insight into a Virtually Unknown Chapter of Nazi Rule in Germany, Made all the More Engaging through a Son's Discovery of His Own Remarkable Parents." -Ted Koppel, ABC News "An Immensely Moving and Powerful Description of those Evil Times. I couldn't Put the Book Down." -James Galway "Martin Goldsmith has Written a Moving and Personal Account of a Search for Identity. His is a Story that will Touch All Readers with Its Integrity. This is not about Exorcising Ghosts, but Rather Awakening Passions that no One Ever Knew Existed. This is a Journey Everyone should Take." -Leonard Slatkin, Music Director National Symphony Orchestra "For Years I've been Familiar with Martin Goldsmith's Musical Expertise. This Book Explains the Source of His Knowledge and His Passion for the Subject. In Tracking the Extraordinary Story of His Parents and the Jewish Kulturbund, Martin Unfolds a Little-Known Piece of Holocaust History, and Finds Depths in His Own Heart that Warm the Hearts of Readers." -Susan Stamberg, Special Correspondent National Public Radio "[A] Strong and Painful Book, Well-Written, Well-Researched, Moving, and Very Instructive." -Ned Rorem, Pulitzer Prize-Winning Composer

Berlin 1939. A few months after Kristallnacht, eighteen-year old Irene Spicker tries to flee to Belgium but ends up in a Nazi prison. Freed after a few weeks, she tries again—this time, in the dark of night, she successfully crosses the frontier. The Germans invaded Belgium, and Irene was forced into hiding. Constantly on the move, she worked as a farmhand, at one point using false identity papers. Arrested by the Gestapo, she sat in a cellar prison cell destined for transport to Auschwitz. To calm her fears, she made a small detailed drawing of her hand which was to save her life. Incarcerated in the concentration camp in Mechlen, she was assigned to paint signs, posters and numbers for her co-prisoners to wear around their necks. This is Irene Awret’s story of her first twenty-five years, from coming of age in a middle-class Jewish family to Mechlen where she met the young sculptor Azriel Awret, to liberation and freedom once more. Copublished with Dryad Press.