In this concise but sweeping study, James Axtell depicts the complete range of transformations in southeastern Indian cultures as a result of contact, and often conflict, with European explorers and settlers in the sixteenth, seventeenth, and eighteenth centuries. Stressing the dynamism and constant change in native cultures while showing no loss of Indian identity, Axtell effectively argues that the colonial Southeast cannot be fully understood without paying particular attention to its native inhabitants before their large-scale removal in the 1830s. Axtell begins by treating the irruption in native life of several Spanish entradas in the sixteenth century, most notably and destructively Hernando de Soto's, and the rapid decline of the great Mississippian societies in their wake. He then relates the rise and fall of the Franciscan missions in Florida to the aggressive advent of English settlement in Virginia and the Carolinas in the seventeenth century. Finally, he traces the largely symbiotic relations among the South Carolina English, the Louisiana French, and their native trading partners in the eighteenth-century deerskin business, and the growing dependence of the Indians on their white neighbors for necessities as well as conveniences and luxuries. Focusing on the primary context of interaction between natives and newcomers in each century -- warfare, missions, and trade -- and drawing upon a wide range of ethnohistorical sources, including written, oral, archaeological, linguistic, and artistic ones, Axtell gives a rich sense of the variety and complexity of Indian-white interactions and a clear interpretative matrix by which to assimilate the details. Based on the fifty-eighth series of Walter Lynwood Fleming Lectures, The Indians' New South is a colorful, accessible account of the clash of cultures in the colonial Southeast. It will prove essential and entertaining reading for all students of Native America and the South.

Choice Outstanding Academic Title for 2002 A clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past Southern Indians have experienced much change in the last half of the 20th century. In rapid succession since World War II, they have passed through the testing field of land claims litigation begun in the 1950s, played upon or retreated from the civil rights movement of the 1960s, seen the proliferation of “wannabe” Indian groups in the 1970s, and created innovative tribal enterprises—such as high-stakes bingo and gambling casinos—in the 1980s. The Native American Graves Protection and Repatriation Act of 1990 stimulated a cultural renewal resulting in tribal museums and heritage programs and a rapprochement with their western kinsmen removed in “Old South” days. Anthropology in the South has changed too, moving forward at the cutting edge of academic theory. This collection of essays reflects both that which has endured and that which has changed in the anthropological embrace of Indians from the New South. Beginning as an invited session at the 30th-anniversary meeting of the Southern Anthropological Society held in 1996, the collection includes papers by linguists, archaeologists, and physical anthropologists, as well as comments from Native Americans. This broad scope of inquiry—ranging in subject from the Maya of Florida, presumed biology, and alcohol-related problems to pow-wow dancing, Mobilian linguistics, and the “lost Indian ancestor” myth—results in a volume valuable to students, professionals, and libraries. Anthropologists and Indians in the New South is a clear assessment of the growing mutual respect and strengthening bond between modern Native Americans and the researchers who explore their past.

This eloquent, pathbreaking account follows the Catawbas from their first contact with Europeans in the sixteenth century until they carved out a place in the American republic three centuries later. It is a story of Native agency, creativity, resilience, and endurance. Upon its original publication in 1989, James Merrell's definitive history of Catawbas and their neighbors in the southern piedmont helped signal a new direction in the study of Native Americans, serving as a model for their reintegration into American history. In an introduction written for this twentieth anniversary edition, Merrell recalls the book's origins and considers its place in the field of early American history in general and Native American history in particular, both at the time it was first published and two decades later.

In The Other One Percent, Sanjoy Chakravorty, Devesh Kapur, and Nirvikar Singh provide the first authoritative and systematic overview of South Asians living in the United States.

""Mixed Blood" Indians looks at a fascinating array of such birth- and kin-related issues as they were alternately misunderstood and astutely exploited by both Native and European cultures. Theda Perdue discusses the assimilation of non-Indians into Native societies, their descendants' participation in tribal life, and the white cultural assumptions conveyed in the designation "mixed blood." In addition to unions between European men and Native women, Perdue also considers the special cases arising from the presence of white women and African men and women in Indian society.".

‘Commonwealth, curry and cricket’ has become the belaboured phrase by which Australia seeks to emphasise its shared colonial heritage with India and improve bilateral relations in the process. Yet it is misleading because the legacy of empire differs in profound ways in both countries. British India, White Australia explores connections between Australia and India through the lens of the British Empire by tracing the lives of people of Indian descent in Australia, from Australian Federation to Indian independence. The White Australia Policy was firmly in place while both countries were part of the British Empire. Australia was nominally self-governing but still attached very strongly to Britain; India was driven by the desire for independence. The racist immigration policies of dominions like Australia, and Britain’s inability to reform them, further animated nationalist sentiments in India. In this original, landmark work Kama Maclean calls for more meaningful dialogue about and acknowledgment of the constraints placed upon Indians in Australia and those attempting to immigrate. Indians are now the fastest-growing group of migrants in Australia, yet their presence has a long history, as told in this book. ‘An inspiring and necessary revelation offering new definitions of what it means to be Australian — and humane — in our post-colonial, globalised world.’ – Sunil Badami ‘At last a history of the triangular relations between the United Kingdom, India and Australia. As this brilliant book shows, only by escaping empire can Australians and Indians forge independent relations based on reciprocity and mutual respect.’ — Professor Marilyn Lake ‘Original and pioneering, this connected history looks at Indian—Australian relations through Empire, race, and postcolonial belonging...told with deep scholarship, irony and style.’ — Professor Dilip Menon ‘Australians know little about their shared history with India. In this groundbreaking book, Kama Maclean, Australia’s leading scholar of South Asia, fills the gap.’ — Professor Lyndall Ryan

The story of one of the few original Native American communities of the Carolinas, whose rich and fascinating history can be dated back to 2400 BC. While the Catawba once inhabited a large swath of land that covered parts of North and South Carolina, and managed to remain in the Carolinas during the notorious Trail of Tears, most Catawba now live on a reservation in York County, South Carolina. In Catawba Nation, longtime tribal historian Thomas J. Blumer seeks to preserve and present the history of this resilient people. Blumer chronicles Catawba history, such as Hernando de Soto’s meeting with the Lady of Cofitachique, the leadership of Chief James Harris, and the fame of potter Georgia Harris, who won the National Heritage Award for her art. Using an engaging mix of folklore, oral history, and historical records, Blumer weaves an accessible history of the tribe, preserving their story of suffering and survival for future generations.