The Indian English Novel of the New Millennium is a book of sixteen pieces of scholarly critique on recent Indian novels written in the English language; some on specific literary trends in fictional writing and others on individual texts published in the twenty-first century by contemporary Indian novelists such as Amitav Ghosh, Kiran Desai, Aravind Adiga, K. N. Daruwalla, Upamanyu Chatterjee, David Davidar, Esterine Kire Iralu, Siddharth Chowdhury and Chetan Bhagat. The volume focuses closely on the defining features of the different emerging forms of the Indian English novel, such as narratives of female subjectivity, crime fiction, terror novels, science fiction, campus novels, animal novels, graphic novels, disability texts, LGBT voices, dalit writing, slumdog narratives, eco-narratives, narratives of myth and fantasy, philosophical novels, historical novels, postcolonial and multicultural narratives, and Diaspora novels. A select bibliography of recent Indian English novels from 2001–2013 has been given especially for the convenience of the researchers. The book will be of great interest and benefit to college and university students and teachers of Indian English literature.

Contributed articles.

Language, Style and Variation in Contemporary Indian English Literary Texts is a volume which examines the linguistic and stylistic forms of Indian English in new fictional texts to explore the power of language to construct meaning, express identity, and convey ideology. Specifically, this study proposes the elaboration and application of postcolonial stylistics, i.e. an interdisciplinary methodology that uses different disciplines, such as literary linguistics and postcolonial studies as a critical lens to read contemporary Indian authors like Jeet Thayil, Deepa Anappara, Avni Doshi, Tabish Khair, and Megha Majumdar. The linguistic fabric of their fiction is investigated in a series of case studies, observing the stylistic rendition of a wide range of themes and tropes, such as the representation of Otherness, drug discourse, lament and the senses, which cumulatively portray aspects of the current Indian narrative scenario. The book develops ideas growing out of several disciplines to reach a fuller understanding of cultural phenomena in the postcolonial context, and by extension in the social world.

&Lsquo;Well-Balanced, Informative And Highly Readable&Rsquo;&Mdash;Amartya Sen India: From Midnight To The Millennium And Beyond Is An Eloquent Argument For The Importance Of India To The Future Of The Industrialized World. Shashi Tharoor Shows Compellingly That India Stands At The Intersection Of The Most Significant Questions Facing The World Today. If Democracy Leads To Inefficient Political Infighting, Should It Be Sacrificed In The Interest Of Economic Well-Being? Does Religious Fundamentalism Provide A Way For Countries In The Developing World To Assert Their Identity In The Face Of Western Hegemony, Or Is There A Case For Pluralism And Diversity Amid Cultural And Religious Traditions? Does The Entry Of Western Consumer Goods Threaten A Country&Rsquo;S Economic Self-Sufficiency, And Is Protectionism The Only Guarantee Of Independence? The Answers To Such Questions Will Determine What The Nature Of Our World Is In The Twenty-First Century. And Since Indians Account For Almost One-Sixth Of The World&Rsquo;S Population Today, Their Choices Will Resonate Throughout The Globe. Shashi Tharoor Deals With This Vast Theme In A Work Of Remarkable Depth And Startling Originality, Combining Elements Of Political Scholarship, Personal Reflection, Memoir, Fiction, And Polemic, All Illuminated In Vivid And Compelling Prose.

Reading New India is an insightful exploration of contemporary Indian writing in English. Exploring the work of such writers as Aravind Adiga (author of the Man-Booker Prize winning White Tiger), Usha K.R. and Taseer, the book looks at how the 'new' India has been recreated and defined in an English Language literature that is now reaching a global audience. The book describes how Indian fiction has moved beyond notions of 'postcolonial' writing to reflect an increasingly confident and diverse cultures. Reading New India covers such topics as: - Representation of the city: Mumbai and Bangalore - Chick Lit to Crick Lit - Call centre dramas and corporate lives - Crime novels and Bharati narratives - Graphic novels Including a chronological time-line of major social, cultural and political reforms, biographies of the major authors covered, further reading and a glossary of Hindi terms, this book is an essential guide for students of contemporary world literature and postcolonial writing.

This book is a collection of critical essays on Indian Writing in English- a literary area that has carved a foremost place in global English literatures. Considered as one of the most successful of postcolonial literatures, IWE is today a dynamic and expansive project. The essays on the Indian English novel and poetry cover some important writers like Anita Desai, Kamala Das, Aravind Adiga, Kiran Desai, Meena Kandasamy, Agha Shahid Ali etc. The introduction is an attempt to arrive at a definition of the term IWE and place the writers in perspective. The book is hoped to prove useful to students and teachers engaged in this field.

Document from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: Famous for multifarious writing, Salman Rushdie himself is a multifaceted personality, often emerges as an unpredictable figure with an unfathomable depth of creativity and criticism. Being an iconoclast, Rushdie never chooses the trodden road: he rather plunges headstrong into the unexplored territories of literature, not yet attempted. The present volume strives to find how Rushdie is germane in the twenty first century politics of globalization, literary schema, and cosmopolitanism. The book has been divided into two broad heads—the first section intrinsically deals with the most popular book of Rushdie, Midnight’s Children while the second section contains Rushdie’s latter fictions which have been researched and presented in the light of intertextuality, hybridity, diaspora and, of late, autobiography. The essays are written by Suhaina Bi, Sutanuka Ghosh Roy, Ram Bahawan Yadav, T. Sasikanth Reddy, Asis De, Vikrant Sehgal, Indah Lestari, Ajit Kumar, Hetal K. Kachhia, Hetal M. Doshi, Nesha Sabar/Pramod Kumar Das, Ramesh Tibile, Bini B. S., Manjeet Kumar Kashyap and Valiur Rahaman.