This book takes the reader through the centuries and gives a rich insight into India's heritage and architecture. For years the preserve of scholars, this is a presentation of the myrad forms, school and styles of architecture in an informative yet reader-friendly manner focusing on aspects of Indian aesthetics, principles of engineering, history and philosophies, replete with brilliant visuals and illuminating perspectives.

"This is an illustrated study of the architecture of post-1990 India, a period that marks the liberalization of the country's economy and reflects the contradictions, glamour and displacement wrought by globalization and rapid economic mobility. Showcasing a complex construct of disparate adjacencies in which bizarre forms of coexistence characterize the built environment, it brings to life, with vivid illustrations, a transformation in the construction of identities, which range from the pan-national to those more fluid in their expression. Hybridity and pluralism reign over singular identities, their architecture being the mirror of the socio-economic as well as the political fabric of a nation-state. Four distinct genres of architectural expression will be presented, and the proponents of each, supported by exceptional examples of their contemporary projects, introduced. Targeted at an international readership of academics, practising architects and students, the book will interest a vast audience of readers and collectors spanning multiple design disciplines as well as those who appreciate significant works on contemporary India."--Publisher's description.

The field of architecture has gradually evolved from being a mere profession to becoming a representation of the society in which we live. Architects form the voice of this profession, and an in-depth discussion with them allows a greater understanding of their theories, visions for architecture, and contributions towards the field, and how they are managing the non-linear societal evolution in a comprehensive manner. This volume brings together 17 iconic Indian architects across generations, and, through dialogues, probes into their lives, beliefs and philosophies, and candid thoughts and opinions. It offers a platform for discussions on the core issues of architecture, and serves as a reference for the state of architecture both in India and globally. The book will appeal to architectural and building industry practitioners and students of architecture, as well as the general reader, as it speaks about architecture as an integral part of building a nation. It traverses the architecture journey in India, and bestows a clarity on the directions still to be taken.

A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.

This book provides an understanding of the very roots of what constitutes the Indian context by examining its notions of time, space and existence. the study unravels the inherent virtues of traditional Indian architecture and interprets them as universal dictums, relevant to reinstate in contemporary times.

India is a lively and diverse country that in recent years has developed into one of the largest industrialized nations in the world. This process is also reflected in its architecture. Recent developments betray a new consciousness and the search for an Indian identity. International influences are merging with traditional styles to create a unique new architectural language, which also bears the stamp of Le Corbusier and Louis Kahn, who worked there. In its introduction, the book depicts the rise of modern architecture in India since independence in 1947. The main section describes the important tendencies of contemporary Indian architecture in thematic chapters, each with built examples. In addition to the new younger generation of Indian architects, it also considers the first post-independence generation, including Balkrishna Doshi and Charles Correa.

Through lucid visual analysis, accompanied by drawings, this book will allow readers to appreciate the concepts underlying designs that at first sight often seem bewilderingly intricate. The book will be divided into six parts that cover the history and development of the design and architecture of Indian temples.