Hard-boiled detective fiction in its purest form, comparable to Seven or the True Detective series. “I read a lot of detective fiction and about crime, but never before had a story left me with such a long literary hangover. For more than a week I was incapable of beginning any other book. So, what distinguishes this book from others? Many things. Above all, it is the passion with which it is written, the personalities of the characters, the explosive ending, the writer's imagination and much more.” Rebelión de Libros, Blog Intense, brutal and crude. This novel is a rollercoaster of emotions with an unexpected ending. While the novel is not lengthy, it has all of what is required for it to be an outstanding and complete story.” “Marcos Nieto is a very particular writer, very much a chameleon. One of his traits is to always present us with very meticulous work, but above all great content.” El Escritorio del Búho, Blog. “The Indelible Shadow offers intelligence and clarity to a story that (with the forewarning of a potential spoiler) provides intrigue through its characters, such as the protagonist and narrator or his partner, the ever-present cervantine counterpoint, all which break away from the stereotypes of the genre.” “For these reasons, the Indelible Shadow is an excellent suggestion for lovers of suspense and thrillers. You will not be disappointed, not for a second.” Falsaria, Blog On the whole, a realistic police story, nothing fanciful and quite harsh, no holds barred. We are presented with dissimilar characters, all with their own past and intricate personalities, helping us to understand their actions. The perfect book for any fan of crime fiction.” Devorador de Libros, Blog “I’m a big fan of the genre and I can say that for a long time I had not been engrossed by a book, one that intrigued me, kept me captivated right until the end, that was until the Indelible Shadow. Simply one-of-a

Table of contents

Indelible Shadows investigates questions raised by films about the Holocaust. How does one make a movie that is both morally just and marketable? Film scholar Annette Insdorf provides sensitive readings of individual films and analyzes theoretical issues such as the "truth claims" of the cinematic medium. The third edition of Indelible Shadows includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures made during and just after World War II. It addresses the treatment of rescuers, as in Schindler's List; the controversial use of humor, as in Life is Beautiful; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue. The annotated filmography offers capsule summaries and information about another hundred Holocaust films from around the world, making this edition the most comprehensive and up to date discussion of films about the Holocaust, and an invaluable resource for film programmers and educators. Annette Insdorf is Director of Undergraduate Film Studies at Columbia University, and a Professor in the Graduate Film Division of the School of the Arts. She is the author of Double Lives, Second Chances: The Cinema of Krzysztof Kielowski (Hyperion, 1999) and Francois Truffaut (Cambridge, 1995). She served as a jury member at the Berlin Film Festival and the Locarno Film Festival, and is the panel moderator at the Telluride Film Festival. Insdorf co-hosts (with Roger Ebert) Cannes Film Festival coverage for BRAVo/IFC.

A woman reporter in a Latin American country and a photographer are sent on a routine assignment. The two uncover a hideous crime, the revelation of which could challenge the terrorism of the military regime.

Das Rheingold, Die Walküre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century’s most influential operas—and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk—the “total work of art”—famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner’s strange theories on sexuality—like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner’s thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d’Albert, Schreker, and Strauss. For decades after Wagner’s death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan’s shadow.

In what will be a tour de force in the field of psychiatry in all its complexity and depth, this important new volume explores the essential paradox of psychiatry—and offers a balanced understanding of its history and development in the medical world. Much is written about psychiatry, but very little that describes psychiatry itself. Why should there be such a need? For good or ill, psychiatry is a polemical battleground, criticized on the one hand as an instrument of social control, while on the other the latest developments in neuroscience are trumpeted as lasting solutions to mental illness.Which of these strikingly contrasting positions should we believe? This is the first attempt in a generation to explain the whole subject of psychiatry. In this deeply thoughtful, descriptive, and sympathetic book, Tom Burns reviews the historical development of psychiatry, throughout alert to where psychiatry helps, and where it is imperfect. What is clear is that mental illnesses are intimately tied to what makes us human in the first place. And the drive to relieve the suffering they cause is even more human.Psychiatry, for all its flaws, currently represents our best attempt to discharge this most human of impulses. It is not something we can just ignore. It is our necessary shadow.

Since 1976, Bud Shark has been one of America's esteemed and sought-after printmakers. Published by the great Hardy Marks imprint, The Legend of Bud Shark & His Indelible Inkexamines the printmaking of ten distinguished artists who have worked with this master printer, at his renowned Shark's Ink studio in the Colorado Rockies. This book is published on the occasion of the 2009 exhibition at MCA Denver, curated by director Cydney Payton, who is also editor of this volume. The works gathered here are the result of close collaborations between artist and printer, with the artists-John Buck, Enrique Chagoya, Bernard Cohen, Red Grooms, Don Ed Hardy, Jane Hammond, Robert Kushner, Hung Liu, Hollis Sigler and Betty Woodman-always working in residence. With Shark, on-the-spot decisions are made at every stage of the collaborative printmaking process-from how a plate can be made to the right paper for a given image.