Between 1887 and 1927, Sir Arthur Conan Doyle wrote sixty Sherlock Holmes stories, and his great Canon has become the most praised, most studied, and best-known chapter in the history of detective fiction. Over twenty thousand publications pertaining to the Sherlock Holmes phenomenon are known to have been published, most of them historical and critical studies. In addition, however, almost since the first stories appeared, such was their uniqueness and extraordinary attraction that other authors began writing stories based on or derived from them. A new genre had appeared: pastiches; parodies; burlesques; and stories that attempted to copy or rival the great detective himself. As the field widened, there was hardly a year in the twentieth century in which new short stories or novels did not appear. Many hundreds are now known to have been published, some of them written by authors well-known for their work in other literary fields. The non-canonical Sherlock Holmes literature not only constitutes a literary field of considerable historical interest, but includes many stories that are both enjoyable and fascinating in their own right. Although a large bibliography on these stories exists, and a few limited anthologies have been published, no attempt has previously been made to collect them all and discuss them comprehensively. The Alternative Sherlock Holmes does so: it provides a new and valuable approach to the Sherlock Holmes literature, as well as making available many works that have for years remained forgotten. Presented as an entertaining narrative, of interest to both the aficionado and the scholar, it provides full bibliographic data on virtually all the known stories in the field.

Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print, on screen - but he has had a long life in the theatre as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring? Follow his trail on the stage as author Alexandra Kitty curates his fascinating theatrical world throughout the decades: from unlikely Off-Broadway musicals to lauded slapstick comedies, to more traditional and gripping portrayals of his iconic stories and new incarnations. How does the world’s greatest detective fare in the theatre? The results are always shocking, but never disappointing.

Canada's first audition book, with monologues from plays of the seventies, also useful as a survey of Canadian playwriting.

The fourth issue of "Sherlock Holmes Mystery Magazine" features Carla Coupe's new Holmes story, "The Adventure of the Elusive Emeralds,' plus tales by Stan Trybulski, Melville S. Brown, Marc Bilgrey, Hal Charles, William E. Chambers, Jean Paiva, and Roberta Rogow. This issue's classic reprint is "The Adventure of the Resident Patient," by Arthur Conan Doyle. Plus all the regular features, a look at the new Holmes movie, cartoons, and more.

Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.

Discussing more than 80 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1975 and 2000. Each entry includes a plot synopsis, production data, and the opinions of well-known and respected critics and scholars.