The second book in the Incorrigible Children of Ashton Place—the acclaimed and hilarious Victorian mystery series by Maryrose Wood, perfect for fans of Lemony Snicket and Trenton Lee Stewart—has a brand-new look. Thanks to their plucky governess, Miss Penelope Lumley, Alexander, Beowulf, and Cassiopeia are much more like children than wolf cubs now. They are accustomed to wearing clothes. They hardly ever howl at the moon. And for the most part, they resist the urge to chase squirrels up trees. Yet the Incorrigibles are not entirely civilized, and still managed to ruin Lady Constance's Christmas ball, nearly destroying the grand house. So while Ashton Place is being restored, Penelope, the Ashtons, and the children take up residence in London. As they explore the city, Penelope and the Incorrigibles discover more about themselves as clues about the children's—and Penelope's own—mysterious past crop up in the most unexpected ways....

Since returning from London, the three Incorrigible children and their plucky governess, Miss Penelope Lumley, have been exceedingly busy. Despite their wolfish upbringing, the children have taken up bird watching, with no unfortunate consequences--yet. And a perplexing gift raises hard questions about how Penelope came to be left at the Swanburne Academy for Poor Bright Females, and why her parents never bothered to return for her. But theirs are not the only families with mysteries to solve. When Lord Fredrick’s long-absent mother arrives with the noted explorer, Admiral Faucet, gruesome secrets tumble out of the Ashton family tree. And when the Admiral’s prized racing ostrich gets loose in the forest, it will take all the Incorrigibles’ skills to find her. The hunt for the runaway ostrich is on. But Penelope is worried. Once back in the wild, will the children forget about books and poetry, and go back to their howling, wolfish ways? What if they never want to come back to Ashton Place at all?

From USA Today bestselling author Meredith Jaeger comes an emotionally resonant novel about two women whose lives intersect as one resists the gentrification of her San Francisco neighborhood, and the other, eighty years earlier, fights for her freedom in nineteenth-century America. . . . 1890, San Francisco. Seduced by her employer’s nephew, Annie Gilmurray, an Irish maid, is accused of stealing the ring he promised her. Sentenced to one year in San Quentin, Annie is heartbroken and frightened among the inmates of the women’s ward: prostitutes, murderers, and pickpockets. But Annie finds beauty and friendship in a brutal place, where the women look out for one another, dreaming of a better life after release. But their world inside San Quentin's walls is a dangerous one, and when the unthinkable happens, Annie makes a choice that will alter the course of her future forever. 1972, San Francisco. Aspiring photographer Judy Morelli is grappling with the searing betrayal of her husband’s infidelity, subletting a San Francisco apartment while she pieces her life back together. When Judy discovers Annie's mugshot, she becomes fascinated and invested not just in Annie's fate but also in the history of her gentrifying South of Market Street neighborhood, joining the fight against redevelopment to maintain its rich community. Exploring the different ways in which we are imprisoned and how we can break free, The Incorrigibles is a story of women reaching across the barriers of time, the unbreakable bonds of female friendship, and the forgotten histories of those pushed to society’s margins.

The Incorrigibles explores the relationship between Progressive social welfare institutions and eugenics, which, in the mid-1930s, justified the sterilization of fifty-one juvenile girls from the Girls' Industrial School in Beloit, Kansas.

Darkness, death and danger on the South Seas South Seas, 1850: Kit Killigrew and the Tisiphone are heading towards Norfolk Island, a savage penal colony; ostensibly to drop off the prison chief’s new governess, but also deliver a reporter bent on interviewing Devin Cusack – an Irish political prisoner. But when an unknown party tries to rescue Cusack, seven of the island’s most ruthless prisoners escape, including the fearsome Wyatt. What ensues is a deadly game of cat and mouse among the New Hebrides, where Killigrew unearths a series of illegal trades. Ultimately, it is Killigrew’s state of mind which threatens to achieve what a tribe of cannibals, a band of desperate criminals and a vicious trader – hell bent on profit at any cost – cannot, as he places himself in the line of danger once too often... The third magnificent Killigrew adventure, this is a thrilling maritime ride perfect for fans of C.S. Forester, Patrick O’Brian and Julian Stockwin. Praise for the Killigrew Novels ‘A hero to rival any Horatio Hornblower. Swashbuckling? You bet’ Belfast Telegraph ‘If you revel in the Hornblower and the Sharpe books, grab a copy of Jonathan Lunn’ Bolton Evening News ‘A new naval hero who will delight lovers of seafaring yarns’ Manchester Evening News The Kit Killigrew Naval Series Killigrew of the Royal Navy Killigrew and the Golden Dragon Killigrew and the Incorrigibles Killigrew and the North-West Passage Killigrew’s Run Killigrew and the Sea Devil

The Corrigible and the Incorrigible explores the surprising history of efforts aimed at rehabilitating convicts in 20th-century Germany, efforts founded not out of an unbridled optimism about the capacity of people to change, but arising from a chronic anxiety about the potential threats posed by others. Since the 1970s, criminal justice systems on both sides of the Atlantic have increasingly emphasized security, surveillance, and atonement, an approach that contrasts with earlier efforts aimed at scientifically understanding, therapeutically correcting, and socially reintegrating convicts. And while a distinction is often drawn between American and European ways of punishment, the contrast reinforces the longstanding impression that modern punishment has played out as a choice between punitive retribution and correctional rehabilitation. Focusing on developments in Nazi, East, and West Germany, The Corrigible and the Incorrigible shows that rehabilitation was considered an extension of, rather than a counterweight to, the hardline emphasis on punishment and security by providing the means to divide those incarcerated into those capable of reform and the irredeemable.

Found running wild in the forest of Ashton Place, the Incorrigibles are no ordinary children: Alexander, age ten or thereabouts, keeps his siblings in line with gentle nips; Cassiopeia, perhaps four or five, has a bark that is (usually) worse than her bite; and Beowulf, age somewhere-in-the-middle, is alarmingly adept at chasing squirrels. Luckily, Miss Penelope Lumley is no ordinary governess. Only fifteen years old and a recent graduate of the Swanburne Academy for Poor Bright Females, Penelope embraces the challenge of her new position. Though she is eager to instruct the children in Latin verbs and the proper use of globes, first she must help them overcome their canine tendencies. But mysteries abound at Ashton Place: Who are these three wild creatures, and how did they come to live in the vast forests of the estate? Why does Old Timothy, the coachman, lurk around every corner? Will Penelope be able to teach the Incorrigibles table manners and socially useful phrases in time for Lady Constance's holiday ball? And what on earth is a schottische?