Giller Prize-winner M.G. Vassanji’s The In-Between World of Vikram Lall is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose. The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives. We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government’s orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic’s sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them. The In-Between World of Vikram Lall is a profound and careful examination of one man’s search for his place in the world, with themes that have run through Vassanji’s work: the nature of community in a volatile society, the relations between colony and colonizer, and the inescapable presence of the past. It is also, finally, a deeply personal book speaking to the people who are in the in-between.

Sweeping in scope, both historically and geographically, Vassanji weaves a rich tapestry of vivid characters (real and imagined) in a Kenya poised between colonialism and independence. Vikram Lall, like his adopted country, inhabits an 'in-between world': between the pull of his ancestral home in India and the Kenya he loves passionately; between his tragic past in Africa and an unclear future in Canada; between escape from political terror and a seemingly inevitable return home . . . a return that may cost him dearly. A master storyteller, Vassanji intertwines the political and the personal - the rise of the Mau Mau in the last days of colonialism looms large over a plot centring on two love stories and a deep friendship. The result is a sumptuous novel that brilliantly explores the tyranny of history and memory, and questions the individual's role and responsibility in lawless times.

In the aftermath of the brutal violence that gripped western India in 2002, Karsan Dargawalla, heir to Pirbaag – the shrine of a mysterious, medieval sufi – begins to tell the story of his family. His tale opens in the 1960s: young Karsan is next in line after his father to assume lordship of the shrine, but he longs to be “just ordinary.” Despite his father's pleas, Karsan leaves home behind for Harvard, and, eventually, marriage and a career. Not until tragedy strikes, both in Karsan's adopted home in Canada and in Pirbaag, is he drawn back across thirty years of separation and silence to discover what, if anything, is left for him in India.

“My father lost my mother one evening in a final round of gambling at the poker table,” writes the narrator of “When She Was Queen,” the title story of a new collection by bestselling novelist and two-time winner of the Giller Prize, M.G. Vassanji. That fateful evening in Kenya becomes “the obsessive and dark centre” of the young man’s existence and leads him, years later in Toronto, to unearth an even darker family secret. In “The Girl With The Bicycle,” a man witnesses a woman from his hometown of Dar es Salaam spit at a corpse as it lies in state at a Toronto mosque. As he struggles to fathom her strange behaviour, he finds himself prey to memories and images from the past–and to perilous yearnings that could jeopardize his comfortable, middle-aged life. Still reeling from the impact of his wife’s betrayal, a man decides to stop in on an old college friend in “Elvis, Raja.” But he soon realizes that it’s not always wise to visit the past as he finds himself trapped in a most curious household, where Elvis Presley has replaced the traditional Hindu gods. The other stories in the collection also feature exceptional lives transplanted. A young man returns to his roots in India, hoping to find his uncle and, perhaps, a bride. Instead, he becomes a reluctant guru to the residents of his ancestral village. A mukhi must choose between granting the final sacrilegious wish of a dying man and abiding by religious custom in a community that considers him a representative of God. A woman is torn between the voice of her dead husband–a cold and grim-natured atheist–and her new, kind and loving husband whose faith nevertheless places constraints on her as a woman. On Halloween night, a scientist lays bare his horrifying plan to seek vengeance on the man who thwarted his career. Set variously in Kenya, Canada, India, Pakistan, and the American Midwest, these poignant and evocative stories portray migrants negotiating the in-between worlds of east and west, past and present, secular and religious. Richly detailed and full of vivid characters, the stories are worlds unto themselves, just as a dusty African street full of bustling shops is a world, and so is the small matrix of lives enclosed by an intimate Toronto neighbourhood. It is the smells and sentiments and small gestures that constitute life, and of these Vassanji is a master. Vassanji’s seventh book and his second collection of short stories, When She Was Queen was shortlisted for the 2006 Toronto Book Award. The jury said: "Vassanji's Naipaulian language is like a sharp short knife that cuts through the superficial and gets to the heart and soul of the narrative.”

Giller Prize–winner M. G. Vassanji gives us a powerfully emotional novel of love and loss, of an African/Indian man who returns to the town of his birth in search of the girl he once loved—and the sense of self that has always eluded him. Kamal Punja is a physician who has lived in Canada for the past forty years, but whom we first meet in a Tanzanian hospital. He is delirious and says he has been poisoned with hallucinogens. But when Kamal finds a curious and sympathetic ear in a local publisher, his ravings begin to reveal a tale of extraordinary pathos, complexity, and mystery. Raised by his African mother, deserted when he was four by his Indian father, married to a woman of Indian heritage, and the father of two wholly Westernized children, Kamal had reached a stage of both undreamed-of material success and disintegrating personal ties. Then, suddenly, he “stepped off the treadmill, allowed an old regret to awaken,” and set off to find the girl he had known as a child, to finally keep his promise to her that he would return. The girl was Saida, granddaughter of a great, beloved Swahili poet. Kamal and Saida were constant companions—he teaching her English and arithmetic, she teaching him Arabic script and Swahili poetry—and in his child’s mind, she was his future wife. Until, when he was eleven, his mother sent him to the capital, Dar es Salaam, to live with his father’s relatives, to “become an Indian” and thus secure his future. Now Kamal is journeying back to the village he left, into the maze of his long-unresolved mixed-race identity and the nightmarish legacy of his broken promise to Saida. At once dramatic, searching, and intelligent, The Magic of Saida moves deftly between the past and present, painting both an intimate picture of passion and betrayal and a broad canvas of political promise and failure in contemporary Africa. It is a timeless story—and a story very much of our own time.

In 1988, a retired schoolteacher named Pius Fernandes receives an old diary found in the back room of an East African shop. Written in 1913 by a British colonial administrator, the diary captivates Fernandes, who begins to research the coded history he encounters in its terse, laconic entries. What he uncovers is a story of forbidden liaisons and simmering vengeances, family secrets and cultural exiles--a story that leads him on an investigative journey through his own past and Africa's.

Winner of the 1990 Commonwealth First Novel Prize (Africa). The Gunny Sack follows the bizarre tale of an old and unremarkable bag and the life changing secrets within it. In exile from Tanzania, Salim Juma is given a gunny sack by his beloved, but strange, great-aunt. The bag takes him back to his childhood, when he was first mesmerised by the peculiar mementos inside. He soon begins to piece together the stories hidden within, only to discover the truth behind a fateful series of events that changed his family forever. The stories that follow stretch across four generations of Salim's family, tracing their footsteps and unravelling their loves, betrayals, and incredible misadventures. The Gunny Sack is an extraordinary chronicle into the experiences of Indian migrants in Africa as they struggled under changing power structures, from German invasions to British colonialism.