A biography of the versatile 19thcentury physician, poet, scientist, professor, and lecturer who was a pioneer in many fields.

Surprising, fun, and magnificently illustrated with two hundred images, Improper Bostonians is the first book to depict Boston's three centuries of gay and lesbian life, and--since it treats the American city with the longest gay and lesbian history--the most comprehensive and meticulously researched gay city history ever written.

Think Downton Abbey, set in the heart of Boston Irish domestic worker Norah King's decision to ask her wealthy employer, Caroline Parker, for an elegant red coat that the Beacon Hill matriarch has marked for donation ignites a series of events that neither woman could have fathomed. The unlikely exchange will impact their respective daughters and families for generations to come, from the coat's original owner, marriage-minded collegian Cordelia Parker, to the determined and spirited King sisters of South Boston, Rosemary, Kay, and Rita. As all of these young women experience the realities of life – love and loss, conflict and joy, class prejudices and unexpected prospects – the red coat reveals the distinction between cultures, generations, and landscapes in Boston during the 1940s and 50s, a time of change, challenge, and opportunity. Meet the proud, working-class Irish and staid, upper-class Brahmins through the contrasting lives of these two families and their friends and neighbors. See how the Parkers and the Kings each overcome sudden tragedy with resolve and triumph. And witness the profound impact of a mother’s heart on her children’s souls. Carlson brings us front and center with her knowing weave of Celtic passion – both tragic and joyful – words of wisdom, romance, humor, and historical events. Dive into Boston feet first! The Red Coat is a rich novel that chronicles the legacy of Boston from both sides of the city, Southie and the Hill.

A unique photo book which documents the hey-day of the Girls Shows to be found at carnivals and circuses alike. Compiled from the author's collection of photographs, postcards and illustrations featuring circus and carnival from 1900 onward and with text describing the origins of girls shows, their European and American developments, the high point after WWII and their ultimate demise in the face of men's magazines, strip clubs and x-rated videos, this is a valuable insight into a cultural phenomenon which ended in the 1970's.

“A striking portrait of a woman artist’s struggle for life.” —Arthur Miller Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.

A new 100th anniversary edition of the only adult book on one of the odder disasters in US history—and the greed, disregard for poor immigrants, and lack of safety standards that led to it. Around noon on January 15, 1919, a group of firefighters were playing cards in Boston’s North End when they heard a tremendous crash. It was like roaring surf, one of them said later. Like a runaway two-horse team smashing through a fence, said another. A third firefighter jumped up from his chair to look out a window—“Oh my God!” he shouted to the other men, “Run!” A 50-foot-tall steel tank filled with 2.3 million gallons of molasses had just collapsed on Boston’s waterfront, disgorging its contents as a 15-foot-high wave of molasses that at its outset traveled at 35 miles an hour. It demolished wooden homes, even the brick fire station. The number of dead wasn’t known for days. It would be years before a landmark court battle determined who was responsible for the disaster.