A collection of the journalist's columns, on such topics as presidents, congressmen, publishers, food, music, sports, the American language, and movie stars

Here is the definitive biography of Mencken, the most illuminating book ever published about this giant of American letters. We see the prominent role he played in the Scopes Monkey Trial, his long crusade against Prohibition, his fierce battles against press censorship, and his constant exposure of pious frauds and empty uplift. The champion of our tongue in The American Language, Mencken also played a pivotal role in defining the shape of American letters through The Smart Set and The American Mercury, magazines that introduced such writers as James Joyce, F. Scott Fitzgerald, and Langston Hughes.

Notes on Democracy is a critique of democracy. The book places political leaders into two categories: the demagogue, who "preaches doctrines he knows to be untrue to men he knows to be idiots" and the demaslave, "who listens to what these idiots have to say and then pretends that he believes it himself." Mencken depicts politicians as "men who have sold their honor for their jobs."_x000D_ _x000D_ _x000D_

Recounts a famously outspoken agnostic's surprising relationship with Christianity H. L. Mencken (1880-1956) was a reporter, literary critic, editor, author--and a famous American agnostic. From his role in the Scopes Trial to his advocacy of science and reason in public life, Mencken is generally regarded as one of the fiercest critics of Christianity in his day. In this biography D. G. Hart presents a provocative, iconoclastic perspective on Mencken's life. Even as Mencken vividly debunked American religious ideals, says Hart, it was Christianity that largely framed his ideas, career, and fame. Mencken's relationship to the Christian faith was at once antagonistic and symbiotic. Using plenty of Mencken's own words, Damning Words superbly portrays an influential figure in twentieth-century America and, at the same time, casts telling new light on his era.

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Over a career that spanned half of a century, Henry Louis Mencken published more than 10 million words. More than a million were written about him, many of which, Mencken liked to remark, were highly condemnatory. He was called, with good reason, the most powerful private citizen in America during the 1920s.This lively introduction to Mencken's life and work begins with a concise biographical portrait before proceeding to a consideration of the five major periods of the renowned Baltimorean's career: his literary apprenticeship; the growth of his national reputation; his fame and unprecedented popularity during the 1920s (when college students would flash the Paris-green cover of the American Mercury as a badge of sophistication); the decline of his reputation during the Depression; and his renewed popularity during the 1940s, with the publication of his autobiographical trilogy, the Days books. In discussing this varied career, Vincent Fitzpatrick touches upon all the roles that Mencken played: journalist; editor; redoubtable critic of literature, culture, and politics; philologist; and autobiographer. Drawing upon Mencken's extensive correspondence of more than 100,000 letters, the book stresses his unflagging belief in the need for free speech (up to the limits of common decency). Indeed, in the end Mencken proved a significant American civil libertarian.Iconoclast, critic, satirist, "individualist," H. L. Mencken offered unique insights into American life. His lifelong celebration of the freedom to dissent marks his most enduring contribution to a nation that gave him such a wealth of material and so much delight.