Today Dounya Awada is a 24-year-old, devout Muslim, happy, healthy, and very much alive. But just a few years before, she nearly starved to death. Her struggle began when she was six years old. Little Dounya wanted nothing less than to be perfect, like her mother. She pushed herself hard every day, excelling in schoolwork and at home. She had to be the cutest, prettiest, smartest girl in the room. The slightest hint of imperfection led to meltdowns and uncontrollable tantrums. Her parents loved her fiercely but were unable to understand what was happening to their little girl. In Dounya's culture, food is nearly synonymous with love. Dounya began to eat to fill the growing need within her. She grew in size, eventually hitting over 200 pounds at just age 15. Food became her only friend. Her peers mocked her. She felt utterly alone. As is the case for someone with dysmorphia, Dounya's obsession with food did a turnabout, and she began rigorous exercising and dieting. But even a substantial weight loss didn't satisfy her. She looked in the mirror and still saw the fat girl she used to be. She began the ugly cycle of bingeing and purging, until she weighted just 73 pounds"--

Many observers judge utopians and their sympathizers as foolhardy dreamers at best and murderous totalitarians at worst. However, as noted social critic and historian Russell Jacoby argues, not only has utopianism been unfairly characterized, a return to an iconoclastic utopian spirit is vital for today's society. Jacoby reexamines the anti-utopian mindset and identifies how utopian thought came to be regarded with such suspicion. He challenges standard readings of such anti-utopian classics as 1984 and Brave New World and offers stinging critiques of the influential liberal and anti-utopian theorists Hannah Arendt, Isaiah Berlin, and Karl Popper. As Jacoby demonstrates, iconoclastic utopianism, shaped by the works of Theodor Adorno, Walter Benjamin, Ernst Bloch, Gustav Landauer, and other predominantly Jewish thinkers, revives society's dormant political imagination and suggests new and more imaginative ideas of the future.

Twelve-year-old JJ loves three things: her great-grandma, her cat, and photography. But she's never going to be a real photographer unless she gets better equipment. When her best friend, Kat, discovers a photo contest with the grand prize of a fancy digital camera-the kind JJ's parents could never afford-she jumps at the chance to win it. Things start going wrong when ditzy Aunt Lissa moves in under mysterious circumstances and JJ's forced to share her room. Why did Lissa lose her job anyway? Kat has all sorts of theories-theories that bring more trouble than the girls can imagine. Gram's not doing so great, the cat's always trying to sneak out, and Aunt Lissa's ruining JJ's summer. According to Gram, photography is JJ's God-given talent, but how can that be true when everything keeps going wrong? "The moving story of a young girl who finds her God-given gift, while coming to terms with loss and change." BILL MEYERS, Author of Eli and The Jesus Experience "Young readers will relate to the story of a girl trying to find her place in her family and in the world, and the strong voice and gentle sense of humor will keep them reading. Not to mention a wayward cat and a mystery or two. A fun read with real emotions and good values." JEANNIE ST. JOHN TAYLOR, Radio Host and Author/Illustrator of thirty-plus books "Delightful characters, realistic situations, and beautifully expressed emotions make Picture Imperfect the perfect read." ANGELA RUTH STRONG, Author of The Fun4Hire Series

Picture Imperfect looks at eugenics from the standpoint of its most significant cultural data û racial-type photography, investigating the techniques, media forms, and styles of photography used by eugenicists, and relating these to their racial theories and their social policies and goals. It demonstrates how the visual archive was crucially constitutive of eugenic racial science because it helped make many of its concepts appear both intuitive as well as scientifically legitimate. --Book Jacket.

Kent Klich studied psychology and worked with troubled adolescents before becoming a photographer and eventually joining Magnum Photos in 1998. his first book, the Book of Beth, was made with a drug addict and prostitute about her life.

Can a struggling career woman and a procrastinating artist save a beloved nonprofit? Aspiring novelist Caroline Penn expected a promotion, not a picture book assignment. But when her employer, the non-profit Helping Hope, runs into financial trouble, this book might be the solution. With the company struggling to stay afloat, she and the illustrator will need to collaborate on a strict deadline-no problem for a workaholic like Caroline, right? Andy Jackson, a "starving" artist, pays the bills by taking on graphic design gigs, but his perfectionism gets in the way. If only he could focus on a project for once, perhaps he could achieve his dream to make art for children for a living. When the two are thrust together to create a book, Caroline can't seem to write for children, and Andy can't meet a deadline to save his life. As time ticks down to release day, the two must face their pasts and insecurities. If they can avoid strangling one another for long enough, they may just bring to the table what the other is missing. If not, the fate of their careers-and a beloved nonprofit-hangs in the balance.