In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.

The Covenant Motif in Jeremiah's Book of Comfort: Textual and Intertextual Studies of Jeremiah 30-33 examines Jeremiah's promise of a new covenant that God will interiorize his law into people's hearts. This in-depth syntactic, semantic, and pragmatic study of selected texts in Jeremiah 30-33 comprises the foundation for a superb biblical theology of the new covenant. God's pledge that this covenant is «not like the one I made with your fathers» is explored in relation to the Abrahamic, Mosaic, and Davidic covenants. Tiberius Rata makes a theologically and hermeneutically balanced incursion into Old Testament texts used in the New Testament and provides a springboard for further discussion on difficult yet important issues such as the Lord's Supper and the future of Israel.

Engagingly and clearly written by a highly respected theologian, God, Sex, and Gender is the first comprehensive introduction to a theology of both sexuality and gender available in a single volume. Makes a theological contribution to understanding the unprecedented changes in sexual and gender relationships of the last fifty years Discusses many topics including: sexual difference; sexual equality; gender and power; the nature of desire; the future of marriage in Christian sexual ethics; homosexuality and same-sex unions; the problems of sexual minorities; contraception in a time of HIV/AIDS; the separation of sexual experience from marriage; and offers new arguments for marriage and for chastity Offers a consistent and engaging introduction at the cutting edge of theological inquiry, which is contemporary, undogmatic, questioning, and relevant to readers' experience, interests, and needs Written lucidly and engagingly by an established and respected academic who has published widely in this area

Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.

Although numerous studies have examined biblical and theological rationales for using the visual arts in worship, this book by Lisa J. DeBoer fills in a piece of the picture missing so far — the social dimensions of both our churches and the various art worlds represented in our congregations. The first part of the book looks at Orthodoxy, Catholicism, and Protestantism in turn — including case studies of specific congregations — showing how each tradition’s use of the visual arts reveals an underlying ecclesiology. DeBoer then focuses on six themes that emerge when Orthodox, Catholic, and Protestant uses of the visual arts are examined together — the arts as expressions of the church’s local and universal character, the meanings attributed to particular styles of art for the church, the role of the arts in enculturating the gospel, and more. DeBoer’s Visual Arts in the Worshiping Church will focus and deepen the thinking of pastors, worship leaders, artists, students, and laypeople regarding what the arts might do in the midst of their congregations.