The mistake of interpreting 18th-century theatrical portraits too literally has been made since the 19th-century when a different set of artistic codes prevailed. The image of the 18th-century actor which we can obtain from prints, paintings and pamphlets of the time, is not a collection of visual truths, but a construction based on critical canons, aesthetic prejudices, and commercial motivations prevalent during the period. Through an analysis of the importance of theatre among all the pleasures and pastimes enjoyed by 18th-century Londoners the author presents a detailed picture of the cultural climate inhabited by the actor and his audience. The overwhelming fascination they had with the actor provides the background to an analysis of the function of the theatrical portrait, the burgeoning economy of the engraver, and the illustrator. Concepts of classicism and realism are explored in terms of how Garrick and Kemble will have been viewed in their work. The author also draws an interesting analogy between the aesthetics of action and sculptural representation through the work of Siddons, and goes on to consider the representation of the comic actor and how it was informed by art and art theory.

Rhonda Blair examines the physiological relationship between bodily action and emotional experience, in the first full-length study of actor training using the insights of cognitive neuroscience and their crucial importance to an actor’s engagement with a role.

The Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the insights of cognitive neuroscience. In a brilliant reassessment of both the practice and theory of acting, Rhonda Blair examines the physiological relationship between bodily action and emotional experience. In doing so she provides the latest step in Stanislavsky's attempts to help the actor 'reach the unconscious by conscious means'. Recent developments in scientific thinking about the connections between biology and cognition require new ways of understanding many elements of human activity, including: imagination emotion memory physicality reason. The Actor, Image and Action looks at how these are in fact inseparable in the brain's structure and function, and their crucial importance to an actor’s engagement with a role. The book vastly improves our understanding of the actor's process and is a must for any actor or student of acting.

Academy Award-winning actor Jeff Bridges is widely adored asa jewel of American cinema, with dozens of leading credits to his name. For more than 30 years, on numerous film sets, Bridges, with his specialized panoramic camera, a Widelux F8, has captured behind-the-scenes views of the creative world of moviemaking. Now, 16 years since his first collection of photography, comesVolume Two. Taking pictures of coworkers on the job results in compelling photographs, especially when those people include the likes of Meryl Streep, Robert Duvall, Julianne Moore, Olivia Wilde, and Matt Damon, among others. Unique photos from his earlier work were first shared inPictures: Jeff Bridges(powerHouse Books, 2003). Now, drawing on his most recent film work,Jeff Bridges: Pictures Volume 2expands on Bridges' intimate vision of Hollywood behind-the-scenes. Included within are rare looks at the famed actors, top directors, talented costumers and makeup artists, skilled and creative set and art decoration, and the rest of thepassionate crews involved in such memorable movies asTrue Grit,Crazy Heart,The Giver,TRON: Legacy, andHell or High Water. Together, these pictures provide glimpses of the art, craft, and sleight of hand behind the magic of motion pictures.Jeff Bridges:Pictures Volume 2also celebrates Bridges' mastery of the special effects made possible with the distinctive Widelux panoramic camera. Bridges' proceeds fromJeff Bridges: Pictures Volume Twowill be donated to the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film-industry workers.

Moving pictures existed for over a decade before anything resembling a star system appeared. Then American cinema went from being devoid of stars to being dependent on them. This is an account of this development in cinema and modern culture.

The Routledge Companion to Michael Chekhov brings together Chekhov specialists from around the world - theatre practitioners, theorists, historians and archivists – to provide an astonishingly comprehensive assessment of his life, work and legacy. This volume aims to connect East and West; theatre theory and practice. It reconsiders the history of Chekhov’s acting method, directing and pedagogy, using the archival documents found across the globe: in Russia, England, America, Germany, Lithuania and Switzerland. It presents Chekhov’s legacy and ideas in the framework of interdisciplinary theatre practices and theories, as well as at the crossroads of cultures, in the context of his forays into such areas as Western mime and Asian cosmology. This remarkable Companion, thoughtfully edited by two leading Chekhov scholars, will prove invaluable to students and scholars of theatre, theatre practitioners and theoreticians, and specialists in Slavic and transcultural studies. Marie-Christine Autant-Mathieu is Director of Research at the National Center For Scientific Research, and Assistant-Director of Sorbonne-CNRS Institute EUR’ORBEM. She is an historian of theatre and specialist in Russian and Soviet theatre. Yana Meerzon is Associate Professor in the Department of Theatre, University of Ottawa. Her book publications include Adapting Chekhov: The Text and Its Mutations, co-edited with Professor J. Douglas Clayton, University of Ottawa (Routlegde, 2012).

Generating Images of Stratification is a self-contained presentation of a theoretical research program that deals with a significant explanatory problem relating to social inequality and that constructs generative theoretical models in doing so. In more detail: -Self-contained presentation - In respect to the background sociological facts and theoretical ideas and also the formal methods the book provides clear and simple accounts accompanied by examples. - A theoretical research program - The emphasis is on theory development, involving a series of theoretical models constructed within a core framework of principles and methods. - Deals with a significant explanatory problem relating to social inequality - We know from research that how people perceive the stratification system of a society depends upon their position in that system. So the problem is: What process generates this regularity and thereby explains empirical generalizations about the social structuration of images? - Constructs generative theoretical models - The book is an extended presentation of "generative theory" in sociology, a formal method of producing effective theoretical explanations. Generating Images of Stratification is of interest to mathematical sociologists and formal theorists in sociology; sociologists interested in social stratification; methodologists, both in sociology and in other fields; philosophers of social science; and theoretical scientists and mathematicians who are interested in applying their analytical tools to social science topics.