In this encyclopedic work of intellectual history, Philip D. Curtain sought to discover the British image of Africa for the years 1780 1850. "

Beautifully written yet highly controversial, An Image of Africa asserts Achebe's belief in Joseph Conrad as a 'bloody racist' and his conviction that Conrad's novel Heart of Darkness only serves to perpetuate damaging stereotypes of black people. Also included is The Trouble with Nigeria, Achebe's searing outpouring of his frustrations with his country. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

An authoritative text, backgrounds and sources, criticism.

Few works of scholarship have so comprehensively recast an existing debate as Chinua Achebe’s essay on Joseph Conrad's Heart of Darkness. Achebe – a highly distinguished Nigerian novelist and university teacher – looked with fresh eyes at a novel that was set in Africa, but in which Africans appear only as onlookers or as indistinguishable "savages". Dismissing the prevailing portrayal of Joseph Conrad as a liberal hero whose anti-imperialist views insulated him from significant criticism, Achebe re-cast the Polish author as a "bloody racist" in an analysis so cogent it changed the way in which his discipline looked not only at Conrad, but also at all works with settings indicative of racial conflict. The creative contribution of Achebe’s essay lies in delving far beneath the surface of Conrad’s novel; he not only generated new and highly influential hypotheses about the author's modes of thought and motivations, but also redefined the entire debate over Heart of Darkness. Just because the novel had been accepted into the "canon", and now falls into the class of “permanent literature”, Achebe says, does not mean we should not question it closely – or criticize its author.

One of the most provocative and original voices in contemporary literature, Chinua Achebe here considers the place of literature and art in our society in a collection of essays spanning his best writing and lectures from the last twenty-three years. For Achebe, overcoming goes hand in hand with eradicating the destructive effects of racism and injustice in Western society. He reveals the impediments that still stand in the way of open, equal dialogue between Africans and Europeans, between blacks and whites, but also instills us with hope that they will soon be overcome.

Few works of scholarship have so comprehensively recast an existing debate as Chinua Achebe’s essay on Joseph Conrad's Heart of Darkness. Achebe – a highly distinguished Nigerian novelist and university teacher – looked with fresh eyes at a novel that was set in Africa, but in which Africans appear only as onlookers or as indistinguishable "savages". Dismissing the prevailing portrayal of Joseph Conrad as a liberal hero whose anti-imperialist views insulated him from significant criticism, Achebe re-cast the Polish author as a "bloody racist" in an analysis so cogent it changed the way in which his discipline looked not only at Conrad, but also at all works with settings indicative of racial conflict. The creative contribution of Achebe’s essay lies in delving far beneath the surface of Conrad’s novel; he not only generated new and highly influential hypotheses about the author's modes of thought and motivations, but also redefined the entire debate over Heart of Darkness. Just because the novel had been accepted into the "canon", and now falls into the class of “permanent literature”, Achebe says, does not mean we should not question it closely – or criticize its author.

Africa’s Media Image in the 21st Century is the first book in over twenty years to examine the international media’s coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and ‘darkest Africa’ news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture.