"Michael and Connie grab you by the heart and catapult you onto what feels like an already begun roller coaster ride. This sensory banquet of tale spins, drenches and thrills as it careens its way to the next stage of this brand-new, age-old story. You arrive at ride's end breathlessly exhilarated, stunned and...profoundly grateful!" -Don Freeman ..".following Milton's lead...in the style of modern epic writers, Michael and Connie take the reader on a suspenseful journey. Once the pages of this story touched my hands, I could not let go." -Mark Foreman ..".the book is at its best when the author's use their creativity to integrate themes of science or to explore motives and other dimensions, adding richness to the world they've created and layers to our understanding of the true Story of stories." -Dr. Richard Olsen "This face-paced and thought-provoking tale is a thoroughly entertaining read!" -Leanne Hillary

All things came to life through the Word of God. Genesis is God's autobiography with the seal of perfection stamped upon every word contained within. The powerful Word of God put light in the darkness, land in the sea, and life on an uninhabited earth. Join Brian and Candice Simmons as they tell the fascinating story of human creation in The Image Maker, the first of three volumes that studies the book of Genesis, the first book of the Bible, in depth. Journey through the first eleven chapters and gain fresh insight from rich footnotes that include commentary, word studies, cross references, and alternate translations. You are God's divine idea, and you were formed by his loving thoughts. Walk with him as he releases his glorious image into the universe.

Terry Crist uncovers truth regarding our being 'made in the image of God' . The result should be a restoration of self-worth without pride.

For professionals and beginners alike: a behind-the- scenes look at how photographers of world stature approach their work, and what it is that makes them succeed. This essential guide draws on in-depth interviews with established photographers from the fields of fashion, art, portraiture, documentary photography, and advertising as well as comments from picture editors, curators, agency directors, and publishers who reveal what they look for when choosing an image. The book first focuses on photographers’ working practices. What made the photographer start taking pictures? How did he or she develop a signature style? What is the process involved in going from concept to shoot? How important is postproduction? Then the book turns to selection. How does a picture editor decide which photographer to commission for the next fashion spread? What kind of photograph is worthy of being hung in a gallery? What advice would an art book publisher give a budding photographer? Whether it is the question of what to look for in an image, views on cropping, or the pros and cons of color versus black and white, the shapers of taste give acute and useful accounts of their methods. This updated edition includes five new interviews: Pascal Dangin, who pioneered a revolutionary digital scanning technique; Fabrice Dall’Anese, a celebrated French portrait photographer for Vanity Fair, GQ, Elle, and others; Jörg Colberg, creator of the photography blog, Conscientious; Jehad Nga, a self-taught photographer whose focus has recently shifted from photojournalism to fine art photography; and Tim Barber, who launched tinyvices.com in 2005, an online gallery and image archive.

Peter Lorre described himself as merely a ‘face maker’. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang’s M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre’s screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre’s career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance.