The distinguished political philosopher Raymond Geuss examines critically the central topics in Western political thought. In a series of analytic chapters he discusses the state, authority, violence and coercion, the concept of legitmacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is in fact a confused conjunction of disparate elements. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in voice that is skeptical, engaged, and clear.

Our contact with the world is through perception, and therefore the study of the process is of obvious importance and signi?cance. For much of its long history, the study of perception has been con?ned to natural- tic observation. Nonetheless, the phenomena considered worthy of note have not been those that nurture our survival—the veridical features of perception—but the oddities or departures from the common and c- monplace accuracies of perception. With the move from the natural world to the laboratory the oddities of perception multiplied, and they received ever more detailed scrutiny. My general intention is to examine the interpretations of the perc- tual process and its errors throughout history. The emphasis on errors of perception might appear to be a narrow approach, but in fact it enc- passes virtually all perceptual research from the ancients until the present. The constancies of perception have been taken for granted whereas - partures from constancies (errors or illusions) have fostered fascination.

Andrew Russ argues in this book that a closer look at their philosophical underpinnings finds that Rousseau, Marx, and Foucault are much less "historical" in their methodology than is widely believed. Instead, they share a more "timeless" view, one indebted to principles ordinarily seen as timeless or transcendent

Marilyn Monroe made history by standing over a subway grating in a white pleated halter dress designed by William Travilla. Hubert de Givenchy immortalized the Little Black Dress with a single opening scene in Breakfast at Tiffany's. A red nylon jacket signaled to audiences that James Dean was a Rebel Without a Cause. For more than a century, costume designers have left indelible impressions on moviegoers' minds. Yet until now, so little has been known about the designers themselves and their work to complement and enrich stories through fashion. Creating the Illusion presents the history of fashion on film, showcasing not only classic moments from film favorites, but a host of untold stories about the creative talent working behind the scenes to dress the stars from the silent era to the present day. Among the book's sixty-five designer profiles are Clare West, Howard Greer, Adrian, Walter Plunkett, Travis Banton, Irene, Edith Head, Cecil Beaton, Bob Mackie, and Colleen Atwood. The designers' stories are set against the backdrop of Hollywood: how they collaborated with great movie stars and filmmakers; how they maneuvered within the studio system; and how they came to design clothing that remains iconic decades after its first appearance. The array of films discussed and showcased through photos spans more than one hundred years, from draping Rudolph Valentino in exotic "sheik" dress to the legendary costuming of Gone with the Wind, Alfred Hitchcock thrillers, Bonnie and Clyde, Reservoir Dogs, and beyond. This gloriously illustrated volume includes candid photos of the designers at work, portraits and wardrobe tests of stars in costume, and designer sketches. Drawing from archival material and dozens of new interviews with award-winning designers, authors Jay Jorgensen and Donald L. Scoggins offer a highly informative, lavish, and entertaining history of Hollywood costume design. About TCM: Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.

A magisterial, richly detailed history of the Kremlin, and of the centuries of Russian elites who have shaped it—and been shaped by it in turn The Moscow Kremlin is the heart of the Russian state, a fortress whose blood-red walls have witnessed more than eight hundred years of political drama and extraordinary violence. It has been the seat of a priestly monarchy, a worldly church and the Soviet Union; it has served as a crossroads for diplomacy, trade, and espionage; it has survived earthquakes, devastating fires, and at least three revolutions. Its very name is a byword for enduring power. From Ivan the Terrible to Vladimir Putin, generations of Russian leaders have sought to use the Kremlin to legitimize their vision of statehood. Drawing on a dazzling array of sources from hitherto unseen archives and rare collections, renowned historian Catherine Merridale traces the full history of this enigmatic fortress. The Kremlin has inspired innumerable myths, but no invented tales could be more dramatic than the operatic successions and savage betrayals that took place within its vast compound of palaces and cathedrals. Today, its sumptuous golden crosses and huge electric red stars blaze side by side as the Kremlin fulfills its centuries-old role, linking the country's recent history to its distant past and proclaiming the eternal continuity of the Russian state. More than an absorbing history of Russia's most famous landmark, Red Fortress uses the Kremlin as a unique lens, bringing into focus the evolution of Russia's culture and the meaning of its politics.