Literary Nonfiction. Art. Film. Winner of the 2020 Nautilus Award's Gold Medal for Creativity & Innovation. In this fragmentary and fluent little gem--full of light and stunning, full-color images--writer and time-based artist Marilyn Freeman offers up her own contemplative practice of dowsing for and creating "opportune moments" of insight and healing. With humor and humility, Freeman reveals her innovative approach to making video essays, a process developed over years of art-making, study and personal searching--a process of waking up again and again to the extraordinary possibilities hidden in everyday existence. Freeman introduces a theory of "evocative" practice as an alternative to the conventions of narrative and non-fiction filmmaking--a risky and rigorous engagement with form that invites the audience to participate in the creation of meaning. Her examination of the dialectical relationship of sound and image takes us far deeper than just a critical study of audio/visual media--deep into the human heart with its dark traumas and its shimmering capacity for honest and compassionate reckoning. Transgressing disciplinary boundaries and trading authority for authentic inquiry, Freeman takes us with her on a foray into time-based art that leaps and wanders from movie theaters to museums to Instagram in search of the "illuminated spaces" where we encounter ourselves and each other. This book is an essential resource for artists who question the importance of their work in these dark times, and for anyone seeking wisdom and wonder in our ordinary world.

Architectural Lighting, the latest addition to the Architecture Briefs series, provides both a critical approach to and a conceptual framework for understanding the application of lighting in the built environment. The key considerations of lighting design are illuminated through accessible texts and instructional diagrams. Six built projects provide readers with concrete examples of the ways in which these principles are applied. Short essays by architect Steven Holl, artist Sylvain Dubuisson, and landscape architect James Corner explore the role of lighting in defining spatial compositions.

Ethereal, evocative, the art of Light and Space pushes the viewer beyond the everyday limits of perception. It takes many different forms and uses many different materials, ranging from natural daylight and scrim to glass, plywood, neon, and fire. It taps into far-ranging ideas and systems of knowledge, including alchemy, Buddhism, aerospace technology, witchcraft, astronomy, physiology, and phenomenology. Written by the foremost authority on the subject and based on more than two decades of research, The Art of Light and Space is the first book to provide an overview of this powerful and increasingly public art form. With rare photographs, extensive artist interviews, and her own insightful obversations, Jan Butterfield vividly documents the history of this diverse and sometimes elusive work. Following a useful introduction that succinctly places the art of Light and Space in the larger context of modern art, the book is divided into ten chapters, each focused on one artist: Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Insightful prtrait photographs by Jim McHugh open each chapter and capture the quirky individuality of these inexhaustibly creative men and women.The innovative graphic design emphasizes the artists' own words, both in sidebars and in the text, making their voices unusually accessible. The processes of creating the works seen here are as intriguing as the final results, and all are illuminated by the text, the illustrations, and the design of the provocative, invaluable volume.

This book presents a visionary concept for future development of space travel. It describes the enabling technology for future propulsion concepts and demonstrates how mankind will ‘live off the land in space’ in migration from Earth. For the next few millennia at least (barring breakthroughs), the human frontier will include the solar system and the nearest stars. Will it be better to settle the Moon, Mars, or a nearby asteroid and what environments can we expect to find in the vicinity of nearby stars? These are questions that need to be answered if mankind is to migrate into space.

The City of Light. For many, these four words instantly conjure late nineteenth-century Paris and the garish colors of Toulouse-Lautrec’s iconic posters. More recently, the Eiffel Tower’s nightly show of sparkling electric lights has come to exemplify our fantasies of Parisian nightlife. Though we reflect longingly on such scenes, in Illuminated Paris, Hollis Clayson shows that there’s more to these clichés than meets the eye. In this richly illustrated book, she traces the dramatic evolution of lighting in Paris and how artists responded to the shifting visual and cultural scenes that resulted from these technologies. While older gas lighting produced a haze of orange, new electric lighting was hardly an improvement: the glare of experimental arc lights—themselves dangerous—left figures looking pale and ghoulish. As Clayson shows, artists’ representations of these new colors and shapes reveal turn-of-the-century concerns about modernization as electric lighting came to represent the harsh glare of rapidly accelerating social change. At the same time, in part thanks to American artists visiting the city, these works of art also produced our enduring romantic view of Parisian glamour and its Belle Époque.