"Examines the Igbo social system and view of the world. Covers their contact with European culture and the warfare that raged within the Igbo borders."--Textbooks.com viewed Dec. 8, 2020.

Extrait de amazon.com : "Among Africanists and feminists, the Igbo-speaking women of southeastern Nigeria are well known for their history of anti-colonial activism which was most demonstrated in the 1929 War against British Colonialism. Perplexed by the magnitude of the Women's War, the colonial government commissioned anthropologists/ethnographers to study the Igbo political system and the place of women in Igbo society. The primary motive was to have a better understanding of the Igbo in order to avoid a repeat of the Women's War. This study will analyze the complexity and flexibility of gender relations in Igbo society with emphasis on such major cultural zones as the Anioma, the Ngwa, the Onitsha, the Nsukka, and the Aro."

Scholarly studies on the Igbo have been scant and fragmented. Politics and Identity Formation in Southeastern Nigeria: The Igbo in Perspective fills an obvious gap, exploring the social, cultural,economic, political, and aesthetic traditions that distinguish the Igbo of southeasternNigeria from their neighbors. In scope, content, and analysis this book is both multi- and cross-disciplinary, focusing on the experiences and forces that have shaped the Igbo society, identity formation, and sociocultural, political, and aesthetic representations. Themes such as the importance ofIgbo names in understanding the people’s social, linguistic, religious, gender, and cultural identities, as well as the intersection of language, politics, socialization, education, and aesthetic expression in the Igbo experience in Nigeria, are interrogated in a refreshing fashion with an appreciable level of originality.

This book celebrates and explores the sculpture and masks of the many diverse ethnic groups living in Southeastern Nigeria. The peoples of this region--the populous Igbo and a dozen nearby but smaller groups--are famous for their artistic creativity. This illuminating book focuses on the area's sculptural arts--mostly figures and masks--examining these mostly unpublished works through the dual lenses of invention and tradition, and with many early and recent contextual photographs. More than 150 examples, dating from the past two centuries, reveal both surprising similarities and differences in artwork by Igbo, Isoko, Urhobo, Ijo, Ogoni, Ibibio, Oron, Eket, Ejagham/Efut, Bokyi, Tiv, Idoma, and Igala peoples. Qualities such as the nature of realism, idealism, and abstraction, the nuances of surface and detail, and the inventiveness of facial and other features, as well as complex uses and meanings, are all addressed in this exciting fresh overview that adds considerably to our understanding of African art. AUTHOR: Herbert M Cole, Professor Emeritus at the University of California, Santa Barbara, is the recipient of a lifetime achievement Leadership Award from the Arts Council of the African Studies Association. He is a consultant to collectors and major museums such as the Metropolitan in New York City, the deYoung in San Francisco, and the UCLA Fowler. ILLUSTRATIONS: 130 color illustrations

This book provides a unique insight into understanding the Igbo social, economic, and political world through comprehensive analyses of indigenous and foreign religious practices, issues surrounding women, literature, language, sexism in musical lyrics, films, and community development and government. It also explores thought-provoking cultural practices relating to marriage and divorce, reincarnation, naming, and masquerade dance. The themes covered in the book help readers appreciate the often-neglected multifaceted local and external forces that continue to shape the Igbo experience in southeastern Nigeria.