A photographic portrait of the headquarters of the company IG-Farben, a presently unoccupied building, which produced Zyklon B gas and later housed the administration of the American army of occupation between 1948 and 1995. Loewy, the photographer prowled around the empty monument, guided by chance occurences and by the light to tell the story in images of a bizarre haunted castle of modern times.

This book examines IG Farben Chemicals and the power of big business in the Third Reich economy.

The remarkable rise and shameful fall of one of the twentieth century's greatest conglomerates At its peak in the 1930s, the German chemical conglomerate IG Farben was one of the most powerful corporations in the world. To this day, companies formerly part of the Farben cartel—the aspirin-maker Bayer, the graphics supplier Agfa, the plastics giant BASF—continue to play key roles in the global market. IG Farben itself, however, is remembered mostly for its infamous connections to the Nazi Party and its complicity in the atrocities of the Holocaust. After the war, Farben's leaders were tried for crimes that included mass murder and exploitation of slave labor. In Hell's Cartel, Diarmuid Jeffreys presents the first comprehensive account of IG Farben's rise and fall, tracing the enterprise from its nineteenth-century origins, when the discovery of synthetic dyes gave rise to a vibrant new industry, through the upheavals of the Great War era, and on to the company's fateful role in World War II. Drawing on extensive research and original interviews, Hell's Cartel sheds new light on the codependence of industry and the Third Reich, and offers a timely warning against the dangerous merger of politics and the pursuit of profit.

Over the course of more than twenty-five years, Primo Levi gave more than two hundred newspaper, journal, radio and television interviews speaking with such varied authors as Philip Roth and Germaine Greer. Marco Belpoliti and Robert Gordon have selected and translated thirty-six of the most important of these interviews for The Voice of Memory.

Drafted into the US Army in 1954, John S. Bowman was assigned to Frankfurt, Germany, where with other young Americans he produced a comic opera by the 18th-century Italian composer, Pergolesi. Its success led the Army’s Special Services to sponsor their “company’s” tour around US bases, and then to two more productions— Mozart’s Bastien und Bastienne and Bach’s Coffee Cantata--and also to US Information Agency-sponsored performances before German audiences. Working on his memoir to recapture those adventures and to convey what millions of Americans had experienced while serving in West Germany (1945-1990), Bowman came to realize that he had been participating in the so-called cultural Cold War, so he placed his personal story into the context of the astounding amount of US government sponsored cultural activities aimed at thwarting the appeal of Soviet Communism in Europe Not intended as an exposé, it is simply the most complete account of the incredible and sometimes hilarious “arsenal” of cultural weaponry deployed in the Cold War—an account that almost all Americans will find both amusing and astonishing.