This handbook is an in depth introduction to the theory and practice of Byzantine icon painting in egg tempera. The aim is to help all students aspire to create icons that are both sound theologically while being aesthetically beautiful. This volume focuses on the Face of Christ, especially in the Mandolin icon, and covers all the basics of icon painting. Subsequent volumes are planned which will look at the figure and the Kyykotissa icon, the design of festal icons, backgrounds and buildings . This handbook uses dozens of precisely chosen, clear illustrations, gives precise recipes for colours and mixtures, provides step by step instructions to follow, and links directly to video demonstrations which show some of the most difficult processes close up. It puts the practical aspects of icon painting in a clear historical and theological framework, introducing the application of the timeless principles on which the aesthetics of icon painting are built. As art for the Church's Liturgy, icon painting calls for the highest aesthetic standards and this book aims to help make that achievable for the average committed student. Icon painting is presented here as a vocation, rather than a hobby or an interesting artistic technique though this handbook will be of interest to anyone drawn to the world of the Byzantine liturgy and its icons. By encouraging students to do more than simply copy good examples from the past but to understand how the medieval Christian artist understood what he or she was doing and how they put that into practice, this handbook brings the world of the Byzantine artist back to life. Icon painting is opened up as a living art form for today's Church. The author, who has theology degrees from Oxford University and Heythrop College in London, has many years of icon teaching experience, founding the Bethlehem Icon School in 2010 at the Emmanuel Greek Catholic Monastery in Bethlehem, where he continues to teach from time to time. This handbook began as handouts for his students on the Prince's School of Traditional Arts icon painting course, while that was being run at the Bethlehem Icon Centre in Palestine, and has finally emerged as a companion to the online Academy Course in Icon Painting and for members of the Arbor Vitae Icon Academy which the author established during the Covid pandemic.

This complete guide explains what painters and paint contractors need to know to thrive in the paint contracting business. It's loaded with how-to information you'll use every day when preparing surfaces for coating, applying paints, bidding jobs and running your paint contracting company: Doing Professional Quality Work: Selecting the right tools, preparing all types of surfaces. Tips for repainting kitchens, bathrooms, cabinets, eaves and porches, handling new construction, getting good results from your airless spray rig, and much more Paint Problems and Their Cure: Why coatings fail, testing for blisters, chalking, poor adhesion and condensation, removing all types of stains, what to do about voids, skips, holidays, pulls, wrinkles, color changes, gloss spots, streaks, yellowing, peeling, alligatoring, powdering, chipping, checking, cracking, fish eyes, graining, roller stipple, water stains and fire damage.Using the Right Paint and Color: Avoiding paint oxidation, chalking, and fading, creating special effects, using stains, varnishes, lacquer, shellac, plastics, preservatives and primers, avoiding customer complaints about color match, tried and true color schemes for every job, cutting costs by mixing your own colors, making touch-ups blend in perfectly.Setting Up Your Business: Selecting your area and specialty, where to get start-up cash and how much you need, protecting yourself with insurance, controlling expenses, staying legal, getting top value for your advertising dollar, typical budgets for paint contractors, keeping your paperwork straight, tracking job expenses.Finding Your Gravy Train: Over 30 profitable specialty painting businesses you shouldconsider, how to sell the job, estimating areas, material quantities and labor costs for walls, overhangs, gables, molding, trim doors and windows.

This is the most comprehensive book to date on the techniques of icon and wall painting. Illustrated with over 450 colour photos and 180 drawings, it will be a source of pleasure and inspiration for the general reader as well as for the practising icon painter. The book is more than just a technical manual; it sets artistic practice in the context of the Church's spirituality and liturgy, with chapters on the theology and history of the icon, the role and symbolism of the iconostasis, and the principles behind the positioning of wall paintings within churches. The wealth of information in this book makes it an indispensable reference text, not only for iconographers but also for any painter working in egg tempera, fresco or secco. All the necessary processes are covered, including the making gessoing of wooden panels, gilding, preparing pigments, lime plastering and fresco, the various techniques for painting in tempera, right through to photographing the finished artwork. -- from dust jacket.

One of the most classical of all painting mediums, this all-in-one guide will help you in selecting materials, equipment, and techniques.

In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.

This handbook is an in depth introduction to the theory and practice of Byzantine icon painting in egg tempera. The aim is to help all students aspire to create icons that are both sound theologically while being aesthetically beautiful. This volume focuses on the Face of Christ, especially in the Mandolin icon, and covers all the basics of icon painting. Subsequent volumes are planned which will look at the figure and the Kyykotissa icon, the design of festal icons, backgrounds and buildings . This handbook uses dozens of precisely chosen, clear illustrations, gives precise recipes for colours and mixtures, provides step by step instructions to follow, and links directly to video demonstrations which show some of the most difficult processes close up. It puts the practical aspects of icon painting in a clear historical and theological framework, introducing the application of the timeless principles on which the aesthetics of icon painting are built. As art for the Church's Liturgy, icon painting calls for the highest aesthetic standards and this book aims to help make that achievable for the average committed student. Icon painting is presented here as a vocation, rather than a hobby or an interesting artistic technique though this handbook will be of interest to anyone drawn to the world of the Byzantine liturgy and its icons. By encouraging students to do more than simply copy good examples from the past but to understand how the medieval Christian artist understood what he or she was doing and how they put that into practice, this handbook brings the world of the Byzantine artist back to life. Icon painting is opened up as a living art form for today's Church.

How to Paint Icons is a practical guide and workbook for focusing on the traditional methods of egg tempera done in the Byzantine style. The journal has the power to take you beyond just a painting of an icon. This book is intended to inspire iconographers. Concentrating on techniques, materials, and insights while archiving your work enhances the iconography practice. Part of the workbook and journal will offer an opportunity to focus on the smaller aspects of icon writing with tips and shared discoveries gained through Miller's experience. Superb examples and illustrations are arranged to help you progress step -by-step. This will be a great guides for icon painting, an addition to you library collection of Books on Iconography. Iconography is undergoing a revival in our twenty-first-century, it has entered a non -Orthodox world. The journey of an iconographer surpasses the feeling of being spiritual and becomes knowledge of God written in stone. Mary Jane Miller, has painted in her studio in San Miguel de Allende, Mexico for nearly 30 years. Combining prayer and this sacred art keeps her connected to a lifestyle that celebrates mystery. Prayer and iconography come together in this workbook and study guide for icon painters. This workbook unfolds sequentially by chapters. It provides illustrations, places for recording your commentary, exercises and helpful hints for navigating through the world of Icon Painting with egg tempera. This instructional workbook is meant for anyone with an interest in the ancient art of icon writing, as practiced ages ago and including our present day. The hope is for you to refine the teachings and expand them into your daily life and practice.