Iceland's 1100 Years recounts the history of a society on the margin of Europe as well as on the margin of reaching the size and wealth of a proper state. Iceland is unique among the European societies in being founded as late as the Viking Age, and in surviving for centuries without any central power after Christianity had introduced the art of writing. This was the age of the Sagas, which are not only literature but also a rare treasury of sources about a stateless society. In sharp contrast to the prosperous society portrayed by the Sagas, early modern Iceland appears to have been extremely poor and miserable. It is challenging to question whether the deterioration was due to foreign rule, to a colder climate, or to an unfortunate internal power structure. Or was the Golden Age perhaps the invention of 19th-century nationalists? Iceland adopted nationalism quickly and thoroughly. In the mid-nineteenth century about 60,000 inhabitants, mostly poor peasants, set out to gain independence from Denmark, which was finally achieved in 1944 with the foundation of a republic. In recent decades Iceland has caught up economically with its closest neighbours. This has come about mainly through the mechanisation of fishing, which gave rise to a second battle for sovereignty, this time over the country's fishing grounds.

The classic reference work that provides annually updated information on the countries of the world.

The classic reference work that provides annually updated information on the countries of the world.

After more than 20 years away, Alda Sigmundsdottir returned to her native Iceland as a foreigner. With a native person's insight yet an outsider's perspective, Alda quickly set about dissecting the national psyche of the Icelanders. This second edition, from 2018, contains new and updated chapters from the original edition, reflecting the changes in Icelandic society and among the Icelandic people since the book was first published in 2012. Among the fascinating subjects broached in The Little Book of the Icelanders: • The appalling driving habits of the Icelanders • Naming conventions and customs • The Icelanders’ profound fear of commitment • The Icelanders’ irreverence • Why Icelandic women are really men • How the Icelanders manage to make social interactions really complicated • The importance of the family in Icelandic society • Where to go to meet the real Icelanders (and possibly score some free financial advice) • Rituals associated with the most important life events (weddings, confirmations, graduations, and deaths) ... and many more. One chapter leads to the next, creating a continuous chain of storytelling. It feels as if you’re sitting in the author’s kitchen, enjoying a cup of coffee and conversing with her about the quirks of her countrymen, every now and then bursting out laughing. [...] I’m going to heartily recommend The Little Book of the Icelanders, both to fans of Sigmundsdóttir’s blog and those unfamiliar with her work. - Iceland Review Online There aren’t many books I’d recommend reading over morning coffee but The Little Book of the Icelanders is one of them. [...] I laughed at the essays in this book, not because I was laughing at Icelanders but because I recognize much of the behavior in myself and members of my family. It felt good. It’s not just the sanest, most impressive characteristics that we pass on and share but also some of the zaniest. As I read this book, I frequently thought, yup, I’m definitely part Icelandic. - Lögberg-Heimskringla, Canada Excerpt "Even though they live on the edge of the inhabitable world with engulfing darkness for several months of the year, the Icelanders continue to score among the most optimistic people in the world. Is it the fish? The fresh air? The cod liver oil? Natural selection? The copious amounts of anti-depressants they consume? Nobody really knows. However, one thing is sure: this character trait serves Icelanders well and has helped the nation cope with innumerable shocks, from volcanic eruptions to famines, to a massive economic crisis. Whatever happens, you can be sure that the Icelanders will seek the silver lining and soldier on, firmly believing that things will soon get better. Indeed it is fascinating to observe how the Icelanders deal with trauma at a national level. Their initial reaction always seems to be to bond together. People who on regular days will bicker and quarrel amongst themselves, suddenly become enormously supportive of each other. I’ve seen this happen in the aftermath of disasters such as snow avalanches and volcanic eruptions, or tragedies that capture the nation’s attention. Take, for example, the economic meltdown of 2008, which for the Icelanders was one of the most catastrophic events in recent history. Many people feared an onslaught of suicides in the wake of all the bankruptcies that ensued. Yet it turned out that the number of suicides actually declined. According to the Directorate of Health, it was because the nation had bonded together, and people were closer and more supportive of each other than they had been in a very long time. In other words, the optimism is probably a long-term survival strategy. After all, through the centuries of hardship and geographical isolation that the Icelandic nation has endured, defeat was not an option – it was stand together, fight together, or die."

“Will appeal to readers of Elena Ferrante and Margaret Atwood . . . the unusual setting offers an interesting twist on the portrait of an artist as a young woman.” —Bookpage In 1960s Iceland, Hekla dreams of being a writer. In a nation of poets, where each household proudly displays leatherbound volumes of the Sagas, and there are more writers per capita than anywhere else in the world, there is only one problem: she is a woman. After packing her few belongings, including James Joyces’s Ulysses and a Remington typewriter, Hekla heads for Reykjavik with a manuscript buried in her bags. She moves in with her friend Jon, a gay man who longs to work in the theatre, but can only find dangerous, backbreaking work on fishing trawlers. Hekla’s opportunities are equally limited: marriage and babies, or her job as a waitress, in which harassment from customers is part of the daily grind. The two friends feel completely out of place in a small and conservative world. And yet that world is changing: JFK is shot. Hemlines are rising. In Iceland, another volcano erupts and Hekla meets a poet who brings to light harsh realities about her art—as she realizes she must escape to find freedom abroad, whatever the cost. Miss Iceland, a winner of two international book awards, comes from the acclaimed author of Hotel Silence, which received the Icelandic Literary Prize. “Only a great book can make you feel you’re really there, a thousand miles and a generation away. I loved it.” —Kit de Waal, author of My Name is Leon “[A] winning tale of friendship and self-fulfillment.” —Publishers Weekly, starred review