A “compelling adventure novel” of a young stowaway on the 1914 Antarctic expedition that “draws the reader deep into Shackleton’s frigid world . . . gripping” (Kirkus Reviews). With Ernest Shackleton on his ship Endurance are twenty-eight crew members, sixty-nine sled dogs, a gramophone, a bicycle—and Merce Blackboro, a seventeen-year-old stowaway hidden amidst oilskins and sea boots. Their journey into the ice is by way of the sub-Antarctic island of South Georgia. But the Antarctic summer is short, and their passage remains resolutely closed to them. In the Weddell Sea the Endurance is trapped for months in pack ice and finds itself delivered up to an uncertain fate. Richly imagined and gripping right up the very last page, The Ice-Cold Heaven traces Shackleton’s legendary and heroic adventure through the ice and explores the relationships between these men who were lost to the world for 635 days. “A compulsively readable adventure yarn, all the more so for being based on real events.” —Kirkus Reviews “A realistic picture of one of history's most famous explorations . . . YA readers, adventure lovers, history buffs, and fans of polar fiction (e.g., Tanis Rideout's Above All Things; Dan Simmons’s The Terror) will enjoy.” —Library Journal “Succeeds in placing the reader firmly alongside the stricken explorers.” —Publishers Weekly “Even those not normally drawn to adventure novels will find the depth of characterization in Bonné’s thrilling novel absorbing.” —Historical Novels Review

Gretel Ehrlich travels across the largest island on Earth, in the company of men and women who have a deep bond with it. She discovers the realm of the great dark, ice pavilions, polar bears and Eskimo nomads.

Heading for Doraville, North Carolina, to investigate the disappearance of a young boy, Harper Connelly and her brother Tolliver are stunned to discover that he is one of several teens who had vanished over the previous five years, but when she uses her talent to communicate with the dead to find the missing boy, she discovers that her knowledge has placed her in the sights of a killer. 175,000 first printing.

J.M. Cohen Wrote That Yeats Was The Greatest Figure In English Poetry Since The Death Of Tennyson , And Ezra Pound, Who Once Went To Yeats To Learn How To Write Poetry, Wrote About Him : I Dare Say ... That Up To Date No One Has Shown Any Disposition To Supersede Him As The Best Poet In England Or Any Likelihood Of Doing So For Some Time... Yeats Is A Very Complex And Difficult Poet, Because There Is In Him A Curious Intermixture Of Romanticism, Realism, Mythology, Supernaturalism, Magic, Ocultism, Automatic Writing, Nationalism, Private Philosophy , And Even Prejudices. His Poems Are Very Compact, Allowing No Elaborations, And Leaving Gaps For The Reader To Imaginatively Fill Them Up, And Thus Making Them More Difficult. Great Explicators And Commentators Have, Of Course, Come Forward, But They Themselves, Sometimes, Are Either Difficult Or Not Enough. Therefore, The One Single Objective Of This Book Is To Introduce The Poet To The General Reader In An Easy Manner.To Give An Idea Of The Poet, As Many As Forty-One Poems, Selected From His Four Stages Of Poetic Development, Have Been Explained (And All Those Poems Have Been Quoted In Full). Yeats Had Also A Métier For Drama, And Had Been A Pioneer Of One Act Plays, And Wrote No Fewer Than Thirty Plays. And So Yeats Has Also Been Discussed As A Dramatist, And, In Addition, Eight Of His Plays Have Been Discussed At Some Length.

DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div

The only exception was the Immortal Hero! Sword, the king of weapons! Immortal enlightenment was a matter of life and death, and was eternal! Sword Immortal, Heaven's Sword, and Grounds!

W.B. Yeats -- Twentieth-Century Magus is a comprehensive study of his magical practices and beliefs. Yeats moved through many different phases of spiritual development, believing that his life was an intellectual, spiritual, and artistic quest -- a quest greatly influenced by Celtic lore, Theosophy, Golden Dawn ceremonial magic, Swedenborg's metaphysics, the works of Jacob Boehme, and Neo-Platonism. For Yeats, writing poetry was an act of divine possession, and he believed that a perfected soul was the source of his inspiration, visiting him during times of superconscious awareness. Susan Johnston Graf meticulously documents and provides evidence that Yeats's poetry is a brilliant, lyric narrative of reality captured through the mind of a practicing magician working in the Western Tradition.