“Craig Raleigh puts hunting into modern perspective, combining higher sensibilities and his firsthand insight into the hunting world to gently illuminate a part of human nature that was, and still is, among the purest of human endeavors.” —Jim Shockey, award-winning writer and host of Jim Shockey’s Hunting Adventures and Uncharted A thoughtful appreciation of hunting and a celebration of the outdoors that illuminates the hunter’s psyche, role, and influence on our culture. "As we began to set foot in the outdoors we didn’t expect to learn something beyond where the deer were running or where the ducks were flying. Once we realized what these creatures really wanted, it was the opening of truth for us as hunters." A long-time hunter and fisherman and senior writer at Wide Open Spaces, Craig Raleigh has spent most of the last forty-five years of his life trying to find that elusive Holy Grail of hunting, that unimagined outdoor reality where one’s training, instinct, and experience converge into extraordinary bliss and accomplishment. He is the first to admit, that this does not entail the capture of a deer or an ever-evasive pheasant. It is the freedom to give back to the outdoors as much as one takes from it. For hunters, a life lived in the outdoors is massively rewarding and offers non-stop pleasures. It comes with the love of camaraderie, choice, and reward, and provides a deep appreciation for the nature world. The Hunter’s Way is his meditative and philosophical journey into the soul of a hunter. Divided into four parts that mirror the hunting experience—the background, the preparation, the hunt, and the harvest—it addresses the paradox of hunting as conservationism, ruminates on the failures and successes of hunting as sport and as a way of life, and reveals how hunting influences our society. As Raleigh explains, the hunt is so much more than the kill. Most often, the hunter leaves the woods and fields empty-handed. Rather, the beauty of hunting is in the experience itself. As a hunter, you are constantly looking for clues. Yet in nature, signs are changeable, confusing, and never the same the second time. A captivating synthesis of On Trails, Norwegian Wood, and Shop Class as Soulcraft, The Hunter’s Way is a literary reflection and love letter to the value of hunting as both sport and way of life.

Homicide detective Tori Hunter was used to doing things her way. But even after having six different partners in seven years, Tori isn't prepared when she's forced to team up with the hot-tempered Samantha Kennedy. Samantha, on the other hand, is trying to juggle a new job, a demanding boyfriend, and now finds herself with an even greater challenge—being partnered with the most difficult detective in the entire squad. After a brief terrorist scare disrupts their serial killer investigation, the two women find themselves growing closer. Samantha begins to question the relationship with her longtime boyfriend, and Tori, never one to allow anyone to get close, begins to feel her defenses slipping in Sam's presence. A serial killer and drug deals gone bad; the two detectives struggle with their feelings, trying to maintain their professional relationship while keeping their nearly flammable physical relationship in check. With Hunter's Way, Gerri Hill masterfully blends suspense and intrigue with her unique style of romance.

In an epic season of sport, Jim Fergus and his trusty Lab, Sweetzer, trek the mountains, plains, prairies, forests, marshes, deltas, and deserts of America.

The Sacred Islands: A medieval land of noble samurai and animal spirits. Of scheming nobles, of magic and ancient mystery. Kitsune Sura, a wandering fox priestess, assembles a group of would-be monster hunters. Penniless and carefree, they travel from palaces to villages, seeking out dangerous mysteries.

This is the classic treatise on hunting, written by Spain's leading philosopher of the 20th century. Reprinted with permission from Scribner, this edition features handsome new illustrations. The author explains the reason why humans hunt, as well as the ethics of hunting.

As one of the most significant economic innovations in prehistory, hunting architecture radically altered life and society for hunter-gatherers. The development of these structures indicates that foragers designed their environments, had a deep knowledge of animal behavior, and interacted with each other in complex ways that reach beyond previous assumptions. Combining underwater archaeology, terrestrial archaeology, and ethnographic and historical research, The Architecture of Hunting investigates the creation and use of hunting architecture by hunter-gatherers. Hunting architecture—including blinds, drive lanes, and fishing weirs—is a global phenomenon found across a broad spectrum of cultures, time, geography, and environments. Relying on similar behaviors in species such as caribou, bison, guanacos, antelope, and gazelles, cultures as diverse as Sami reindeer herders, the Inka, and ancient bison hunters on the North American plains have employed such structures, combined with strategically situated landforms, to ensure adequate food supplies while maintaining a nomadic way of life. Using examples of hunting architecture from across the globe and how they influence forager mobility, territoriality, property, leadership, and labor aggregation, Ashley Lemke explores this architecture as a form of human niche construction and considers the myriad ways such built structures affect hunter-gatherer lifeways. Bringing together diverse sources under the single category of “hunting architecture,” The Architecture of Hunting serves as the new standard guide for anyone interested in hunter-gatherers and their built environment.

The meticulously composed, painterly tableaux of London-based photographer Tom Hunter (born 1965) marry the look and mood of paintings by the likes of Vermeer or Chardin with the sociopolitical concerns of twenty-first-century Britain--specifically, the London borough of Hackney, notorious for its recent gentrification and its consequent disparities between rich and poor. Hunter's 1998 "Woman Reading a Possession Order," which depicts a (real) squatter reading a (real) eviction notice by a window, references Vermeer's 1657 "Girl Reading a Letter at an Open Window," completely sabotaging all the qualities of uplift, privacy and reverie that we relish in Vermeer, with a subversiveness that is both mischievous and acute. When it was first exhibited, this powerful photograph attracted so much press attention that the eviction was withdrawn. Handsomely produced, as befits the gorgeousness of Hunter's images, The Way Home is the second monograph on this much-celebrated photographer.