Radical revision of popular views based on recently discovered material.

Rob Roy MacGregor, Scotland's most romantic, elusive hero, was an outlaw and a life-long enemy of Montrose. So well-known was he that no one thought to write down a physical description of him, or any direct record of his childhood and youth. Thus tracking down Rob Roy today is to embark upon a painstaking search through archives, estate records and folk myths, enriched and confused by the romantic yarns that have grown up around him. W. H. Murray brings together new interpretations of Rob Roy's life and times to produce a new understanding of the character, actions and motives of a man who became a myth and symbol of Scotland. Murray shows that Rob Roy's renown stems from his remarkable force of character, rather than his politics or his place in the writings of Sir Walter Scott. His political mission outwardly failed, but his extraordinary resolution in adversity has earned him his place in history and legend.

A horse of nineteenth century England tells his life story from his early home through many masters and experiences, both good and bad.

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a 1969 book on wood type and nineteenth-century typographic history, there has been little written about the creation of the wood type forms, the collection, or Kelly. In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.