The Illuminated Chronicle was composed in 1358 in the international artistic style at the royal court of Louis I of Hungary. Its text, presented here in a new edition and translation, is the most complete record of Hungary's medieval historical tradition, going back to the eleventh century and including the mythical past of its people. The pictures in this manuscript—formerly known as the Vienna Chronicle—are not merely occasional illustrations added to some exemplars, but text and image are closely connected and mutually related to each other, to qualify it as a proper “illuminated chronicle”. The artistic value of the miniatures is quite high, and the characters are drawn with detail and with a knowledge of anatomy. Forty-two of the miniatures are included in the present volume. A full color facsimile will be accessible online. The 147 pictures are an invaluable source of information on late medieval cultural history, costume, and court life. In a historiographical context, The Illuminated Chronicle is an attempt at the popularization of the national history and a systematic appeal to circles beyond the old monastic-clerical audience. The Illuminated Chronicle (Chronica de gestis Hungarorum e codice picto saec. xiv.) is the ninth volume in the Central European Medieval Texts, a Latin–English bilingual series.

The present volume of studies is the first Subsidium of the Central European Medieval Text series, accompanying CEMT vol. 9 on the Illuminated Chronicle (formerly called the Vienna Chronicle), written in the fourteenth century, which represents the international artistic style at the royal court of Louis I of Hungary. The volume of the text and its annotations did not allow including the detailed scholarly introduction into the same volume as is the custom with the other CEMT items. The essays in the book analyze the text and the illuminations of the Illuminated Chronicle in literaryhistorical, art historical and heraldic context. The relevant literature that goes back to more than 200 years is also summarized. Additional studies address issues connected with the narrative. Since the chronicle starts with the history of the Huns, imaginary ancestors of the Hungarians, the Attila tradition in Hungarian history writing is discussed. Extensive coverage is offered on the dynastic struggles of the eleventh century, placing them into the context of amicitia and deditio. The image of King St. Ladislas I as the "ideal king" is reviewed, a topic that received conspicuously detailed coverage in the chronicle. Finally, the fate of the fourteenthcentury chronicle texts during the subsequent centuries is examined, their appearance in legal texts, and their reception abroad.

In Rituals and Symbolic Communication in Medieval Hungary under the Árpád Dynasty (1000 - 1301) Dušan Zupka examines rituals as means of political and symbolic communication in medieval Central Europe, with a special emphasis on the rulers of the Árpád dynasty in the Kingdom of Hungary. Particular attention is paid to symbolic acts such as festive coronations, liturgical praises, welcoming of rulers (adventus regis), ritualised settlement of disputes, and symbolic rites during encounters between rulers. The power and meaning of rituals were understandable to contemporary protagonists and to their chroniclers. These rituals therefore played an essential role in medieval political culture. The book concludes with an outline of ritual communication as a coherent system.

This volume contains two very different narratives: a work of literary imagination on early Hungarian history, and an eye-witness account of the Mongol invasion of 1241/42. An anonymous notary of King Bela of Hungary (probably Bela III, d. 1196), also Known as P dictus magister, wrote a Latin Gesta Hungarorum, (ca 1200/10), and enigmatic and much disputed work on the Hungarian conquest of the Carpathian Basin in the late ninth century, including a mythical origo gentis, and a history of the Magyars prior to the foundation of the kingdom in 1000 A.D. Additionally, he wove into it stories of heroic ancestors of the great men of his time. Anonymus (as he is commonly referred to) tried to (re)contruct the events and protagonists---including ethnic groups---of several centuries before from the names of places, rivers, and mountains of his time, assuming that these retained the memory of times past. Based on these, he presented a narrative in the style of the popular romances of the siege of Troy and the exploits of Alexander the Great, also utilizing some oral traditions and earlier chronicles. One of his major "inventions" was the inclusion of Attila the Hun into the Hungarian royal genealogy, a feature later developed into the myth of Hun-Hungarian continuity (by Simon of Keza and other chroniclers). Already translated into most Central-European languages, it is here for the first time presented in an updated Latin text with an annotated English translation. The Italian Master Roger (born around the time the retired notary was writing his Gesta) was canon of the cathedral of Varad/Oradea when the Mongols attacked Hungary. He recorded in great detail and vivid prose his experiences, including his hiding from and falling into the hands of the "Tatars". This he prefaced by an astute observation of political conflicts in mid-thirteenth-century Hungary. His description of the events, together with those of Archdeacon Thomas of Split (CEMT 4), is the basic evidence for the horrible devastation of the country by Batu Khan's armies. The present translation is based on the editio princeps of 1488, as no manuscript has survived.

Simon of Kéza was a court cleric of the Hungarian King, Ladislas IV (1272-1290). He travelled extensively in Italy, France and Germany and culled the epic and poetic material from a broad range of readings.Written between 1282-1285, the Gesta Hungarorum is an ingenious and imaginative historical fiction of prehistory, medieval history and contemporary social history. The author divides Hungarian history into two periods: Hunnish-Hungarian prehistory and Hungarian history, giving a division which persisted in Hungary up to the beginnings of modern historiography. Simon of Kéza provides a vivid retelling of the well known Attila stories, using such lively prose as - ".the battle lasted for 15 days on end, Csaba's army received such a crushing defeat that very few of the Huns or the sons of Attila survived, the river Danube from Sicambria as far as the city of Potentia was swollen with blood and for several days neither men nor animals could drink the water." The book is also significant because of the author's legal-theoretical framework of corporate self government and constitutional law, inspired by French and Italian sources and practice, which made this chronicle become an integral part of Hungarian historiography.