What if you just trusted the whisper of calling placed on your heart? Kathy Izard was volunteering at Charlotte’s Urban Ministry Center when an unlikely meeting with a homeless man changed the course of her life. She realized that serving at the soup kitchen was feeding her soul, but not actually solving the needs of the homeless population. Rather than brush it off and avoid what she now felt called to take on, she quit her job and took on what seemed like an insurmountable task—building housing for Charlotte’s homeless. Woven together with this uplifting story of social action is Kathy’s personal struggle with faith, forgiveness and fulfillment. In telling her story, Kathy invites you to consider rewriting your own. What’s calling you? As crazy at it seems, it may be crazier not to try. This book will push you to do so much more than you ever thought possible.

The acclaimed author of The Borrower returns with a dazzlingly original, mordantly witty novel about the secrets of an old-money family and their turn-of-the-century estate, Laurelfield. “Rebecca Makkai is a writer to watch, as sneakily ambitious as she is unpretentious." –Richard Russo Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents’ wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her step-father, stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time. Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room. Violet’s portrait was known to terrify the artists who resided at the house from the 1920s to the 1950s, when it served as the Laurelfield Arts Colony—and this is exactly the period Zee’s husband, Doug, is interested in. An out-of-work academic whose only hope of a future position is securing a book deal, Doug is stalled on his biography of the poet Edwin Parfitt, once in residence at the colony. All he needs to get the book back on track—besides some motivation and self-esteem—is access to the colony records, rotting away in the attic for decades. But when Doug begins to poke around where he shouldn’t, he finds Gracie guards the files with a strange ferocity, raising questions about what she might be hiding. The secrets of the hundred-year house would turn everything Doug and Zee think they know about her family on its head—that is, if they were to ever uncover them. In this brilliantly conceived, ambitious, and deeply rewarding novel, Rebecca Makkai unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer. For readers of Dodie Smith's I Capture the Castle

'God, it's good' STEPHEN KING On a windswept moor, an old house guards its secrets... The new standalone horror novel from 'a true master of horror.' All Hallows Hall is a rambling Tudor mansion on the edge of the bleak and misty Dartmoor. It is not a place many would choose to live. Yet the former Governer of Dartmoor Prison did just that. Now he's dead, and his children – long estranged – are set to inherit his estate. But when the dead man's family come to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo, and wind whistles in the house's famous priest hole. And then, on the same morning the family decide to leave All Hallows Hall and never come back, their young son Timmy disappears – from inside the house. Does evil linger in the walls? Or is evil only ever found inside the minds of men? Praise for Graham Masterton: 'A true master of horror' James Herbert 'One of the most original and frightening storytellers of our time' Peter James 'A natural storyteller with a unique gift for turning the mundane into the terrifyingly real' New York Journal of Books 'This is a first-class thriller with some juicy horror touches. Mystery readers who don't know the Maguire novels should change that right now' Booklist 'One of Britain's finest horror writers' Daily Mail

"A book about loggerhead sea turtles, and a girl's attempts to help save their babies from man-made light."--

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

Join your guide, Travis Brown, one of Reddit's most-upvoted NoSleep horror authors, for a tour of his most chilling tales. Within you'll find... A team exploring a seemingly endless house, each door leading deeper into a mad world. A neighborhood where no one looks out their windows after 3 a.m. for fear of seeing the lone whistler passing through. A star-choked sky and a man determined to protect his family, even if it means cheating death. Visit these locations and more in 23 terrifying short stories. When you go looking for monsters, don't be surprised when they look back.

Eleanor Estes's The Hundred Dresses won a Newbery Honor in 1945 and has never been out of print since. At the heart of the story is Wanda Petronski, a Polish girl in a Connecticut school who is ridiculed by her classmates for wearing the same faded blue dress every day. Wanda claims she has one hundred dresses at home, but everyone knows she doesn't and bullies her mercilessly. The class feels terrible when Wanda is pulled out of the school, but by that time it's too late for apologies. Maddie, one of Wanda's classmates, ultimately decides that she is "never going to stand by and say nothing again." This powerful, timeless story has been reissued with a new letter from the author's daughter Helena Estes, and with the Caldecott artist Louis Slobodkin's original artwork in beautifully restored color.