Napoleon has escaped from Elba – the Hundred Days have begun.

Now in paperback, Napoleon’s return to the throne in Paris, as imagined by the incomparable Joseph Roth Joseph Roth paints a vivid portrait of Emperor Napoleon’s last grab at glory, the hundred days spanning his escape from Elba to his final defeat at Waterloo. This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates. Roth’s signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. “There may be,” as James Wood has stated, “no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile.”

Describes the difficult and bloody four-month battle that tipped the stalemate on the Western Front in favor of the Allies in 1918 and drove back the Germans, bringing World War I to an end.

Once the gleaming "Paris of the East," Bucharest in 1989 is a world of corruption and paranoia, in thrall to the repressive regime of Nicolae Ceau?escu. Old landmarks are falling to demolition crews, grocery shelves are empty, and informants are everywhere. Into this state of crisis, a young British man arrives to take a university post he never interviewed for. He is taken under the wing of Leo O'Heix, a colleague and master of the black market, and falls for the sleek Celia, daughter of a party apparatchik. Yet he soon learns that in this society, friendships are compromised, and loyalty is never absolute. And as the regime's authority falters, he finds himself uncomfortably, then dangerously, close to the eye of the storm. By turns thrilling and satirical, studded with poetry and understated revelation, The Last Hundred Days captures the commonplace terror of Cold War Eastern Europe. Patrick McGuinness's first novel is unforgettable.

The bestselling, highly-acclaimed and most famous account of the Falklands War, written by the commander of the British Task Force.

"The time has come now," Abraham Lincoln told his cabinet as he presented the preliminary draft of a "Proclamation of Emancipation." Lincoln's effort to end slavery has been controversial from its inception-when it was denounced by some as an unconstitutional usurpation and by others as an inadequate half-measure-up to the present, as historians have discounted its import and impact. At the sesquicentennial of the Emancipation Proclamation, Louis Masur seeks to restore the document's reputation by exploring its evolution. Lincoln's Hundred Days is the first book to tell the full story of the critical period between September 22, 1862, when Lincoln issued his preliminary Proclamation, and January 1, 1863, when he signed the final, significantly altered, decree. In those tumultuous hundred days, as battlefield deaths mounted, debate raged. Masur commands vast primary sources to portray the daily struggles and enormous consequences of the president's efforts as Lincoln led a nation through war and toward emancipation. With his deadline looming, Lincoln hesitated and calculated, frustrating friends and foes alike, as he reckoned with the anxieties and expectations of millions. We hear these concerns, from poets, cabinet members and foreign officials, from enlisted men on the front and free blacks as well as slaves. Masur presents a fresh portrait of Lincoln as a complex figure who worried about, listened to, debated, prayed for, and even joked with his country, and then followed his conviction in directing America toward a terrifying and thrilling unknown.

The Hundred Days, FDR's first 15 weeks in office, was a time of unprecedented governmental activity in America. In this account, Anthony J. Badger reinterprets the period as an exercise in exceptional political craftsmanship.