Short Story

Lovely Esmeralda, haunted by an obsessive would-be lover and unjustly accused of murder, unexpectedly finds a tormented protector in The Hunchback of Notre Dame. Quasimodo the hunchback keeps to his duties as bell-ringer of Notre Dame cathedral and stays close to his guardian, the Archdeacon Claude Frollo. His devotion proves misguided when a plan of Frollo’s goes wrong and Quasimodo finds himself abused by a crowd and shown mercy only by the gypsy girl Esmeralda. The hunchback’s love and resolve to protect her leads to desperate action and tragedy when she is falsely accused of murder. Emotions run high as society’s elite falters and fails, and the lowest misfits of society prove their worth in this timeless epic of love, justice and redemption. The novel’s human characters have all but taken on lives of their own, but notice must be made of the author’s treatment of Notre Dame as the cathedral virtually becomes a character itself. The book’s loving descriptions spurred increased appreciation of Notre Dame as a symbol of Paris and inspired its preservation and renovation. The Hunchback of Notre Dame was first published in 1831 and has since been adapted to stage and screen many times, with more than one of the film versions attaining classic status. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Hunchback of Notre Dame is both modern and readable.

“Mr. Allan Burns, I am here to tell you an example, the example of the Hunchbacks.” So said Paulino Yamá, traditionalist and storyteller, to Allan Burns, anthropologist and linguist, as he began one story that found its way into this book. Paulino Yamá was just one of several master storytellers from the Yucatán Peninsula of Mexico from whom Burns learned not only the Mayan language but also the style and performance of myths, stories, riddles, prayers, and other forms of speech of their people. The result is An Epoch of Miracles, a wonderfully readable yet thoroughly scholarly set of translations from the oral literature of the Yucatec Maya, an important New World tradition never before systematically described. An Epoch of Miracles brings us over thirty-five long narratives of things large, small, strange, and “regular” and as many delightful short pieces, such as bird lore, riddles, and definitions of anteaters, rainbows, and other commonplaces of the Mayan world. Here are profound narratives of the Feathered Serpent, the mighty Rain God Chac and his helpers, and the mysterious cult of the Speaking Cross. But because these are modern, “Petroleum Age” Maya, here too are a discussion with Cuba’s Fidel Castro and a greeting to former president Richard Nixon. All pieces are translated ethnopoetically; examples of several genres are presented bilingually. An especially valuable feature is the indication of performance style, such as pauses and voice quality, given with each piece.