Winnie-the-Pooh is always making up Hums and rhymes. Hums are Pooh's way of thinking about important things like honey, or the weather or his friends. 'It isn't Brain, because You Know Why, but it comes to me sometimes, ' says Pooh. Following the success of The Proverbial Pooh, Egmont Books is proud to present a beautiful new edition of The Hums of Pooh. Each has an introduction from A.A. Milne and stage directions, as well as E.H. Shepard's unforgettable illustrations of Winnie-the-Pooh and his friends

Ten adventures of Pooh, Eeyore, Tigger, Piglet, Owl, and other friends of Christopher Robin.

Visit our all-new Pooh website! It was eighty years ago, on the publication of The House at Pooh Corner, when Christopher Robin said good-bye to Winnie-the-Pooh and his friends in the Hundred Acre Wood. Now they are all back in new adventures, for the first time approved by the Trustees of the Pooh Properties. This is a companion volume that truly captures the style of A. A. Milne-a worthy sequel to The House at Pooh Corner and Winnie-the-Pooh. Listen to award-winning narrator Jim Dale reading the Exposition to Return to the Hundred Acre Wood. Also available from Penguin Audio.

A delightful new collection of Winnie-the-Pooh stories, told in the style of A. A. Milne, that explores life before the Hundred Acre Wood. How did Christopher Robin meet his beloved bear? Did Pooh and his friends see any of London before they moved to the Hundred Acre Wood? These questions and more are explored in this charming new collection of stories. Each tale features a gentle adventure set in London or the countryside, and they include iconic locations such as Harrods, London Zoo, and the Natural History Museum. Pooh, Eeyore, and Piglet even make a new friend: Flo the house mouse. Written in the timeless style of A. A. Milne, with illustrations that are true to the spirit of the original drawings by E. H. Shepard. These sweet and comforting tales are perfect for both new readers and longtime fans.

Lifelong devotees and new friends of the Bear of Very Little Brain will be glad to see all twenty of A. A. Milne's world-famous Winnie-the-Pooh stories brought together in one beautiful volume. Milne's prose and Ernest H. Shepard's drawings-including full-color art created especially for these editions-perfectly capture the feelings of childhood.

Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”). Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post