An illustrated account of World War I, telling of the national alignments, the different theatres of the war, the turning point and climax, the League of Nations, and the cost of the war - in lives and money.

The story of World War I is brought to life through the gripping personal narratives of those at the center of the storm. World War I was waged by young people from twenty-eight countries in an era without the advantages of military "embeds," satellite phones, and streaming media coverage. Intimate Voices from the First World War fills in the gaps in the history of the world's first global confrontation with excerpts from recently uncovered letters and diaries of those on the front lines and their friends at home. In their reflections on the vastness of the enterprise of war, these combatants, victims, and eyewitnesses re-create the scope of the conflict with immediacy and tenderness. Written with the frankness and intimacy of words not intended for public eyes -- full of private passions, prejudices, humor, and vivid insights -- these communiqués speak to us directly from within the war itself and from all sides of the conflict. These marvelous historical narratives not only immerse readers in an ongoing dialogue about the meaning of human conflict but also serve as reminders of the individual perspectives and beliefs that sometimes get overlooked during times of global strife.

Immediately after the armistice was signed in November, 1918, an American journalist asked Paul von Hindenburg who won the war against Germany. He was the chief of the German General Staff, co-architect with Erich Ludendorff of Germany’s Eastern Front victories and its nearly war-winning Western Front offensives, and he did not hesitate in his answer. “The American infantry,” he said. He made it even more specific, telling the reporter that the final death blow for Germany was delivered by “the American infantry in the Argonne.” The British and the French often denigrated the American contribution to the war, but they had begged for US entry into the conflict, and their stake in America’s victory was, if anything, even greater than that of the United States itself. But How America Won WWI will not litigate the points of view of Britain and France. The book will accepts as gospel the assessment of the top German leader whose job it had been to oppose the Americans directly - that the American infantry won the war - and this book will tell how the American infantry did it.

A social history of Germany in the years following the First World War, this book explores Germany's defeat and the subsequent demobilization of its armies, events which had devastating social and psychological consequences for the nation. Bessel examines the changes brought by the War to Germany, including those resulting from the return of soldiers to civilian life and the effects of demobilization on the economy. He demonstrates that the postwar transition was viewed as a moral crusade by Germans desperately concerned about challenges to traditional authority; and he assesses the ways in which the experience of the War, and memories of it, affected the politics of the Weimar Republic. This is an original and scholarly book, which offers important insights into the sense of dislocation, both personal and national, experienced by Germany and Germans in the 1920s, and its damaging legacy for German democracy.

"The Origins of the First World War deals with the policies and the issues that brought Europe to war in 1914. The position of each of the great powers within the international framework is concisely explained. The problems confronting them are also carefully analysed, as is the influence of political and economic structures on the decision-making process. Professor Martel shows how and why the confrontational alliance system came into being and considers the impact upon it of the series of crises that brought the major powers close to conflict in the opening years of the twentieth century. He outlines the terms and obligations that these alliances entailed and discusses the extent to which they were responsible for the outbreak of war. First published in 1987, The Origins of the First World War has proved itself an invaluable aid to students. For this Second Edition Gordon Martel has completely rewritten his original text in the light of recent scholarship. He has also updated the bibliography and added a number of useful reference tools which will help readers to grasp the details more easily. Thus, the main text is now supplemented not simply by a chronology of the principal events, but also by a biographical guide to the personalities mentioned in the book, a glossary of terms, and five maps."--Page 4 of cover.

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.

Vera Brittain and the First World War tells the remarkable story of the author behind Testament of Youth whilst charting the book's ascent to become one of the most loved memoirs of the First World War period. Such interest is set to expand even more in this centenary year of the war's outbreak. In the midst of her studies at Oxford when war broke out across Europe, Vera Brittain left university in 1915 to become a V.A.D (Voluntary Aid Detachment) nurse, treating soldiers in London, Malta and Etaples in France. The events of the First World War were to have an enormous impact on her life. Four of Brittain's closest friends including her fiancé Roland Leighton and her brother Edward Brittain MC were killed in action, sparking a lifelong commitment to pacifism. In 1933 she published Testament of Youth, the first of three books dealing with her experience of war. In equal measures courageous, tragic and deeply fascinating, Testament of Youth is one of the most compelling and important works of war literature ever to have been written by a British woman. Mark Bostridge's Vera Brittain and the First World War, published to coincide with the film of Testament of Youth, explores the effects of the First World War on Vera Brittain, both in terms of her personal life and in terms of its effect on her development as a writer and her eventual decision to become a pacifist. Taking advantage of the interest generated by the film, it will bring her story to a new generation and incorporate the most up-to-date research. It will also include a short essay 'From Book to Film', describing the process of turning Testament of Youth into a major feature film. This will include interviews with the production staff and actors, as well as with members of Vera Brittain's family, including Shirley Williams. The film, which has been scripted by Juliette Towhidi and is being produced by BBC Films and Heyday Films, the makers of Harry Potter, is currently in production. Alicia Vikander (Anna Karenina) stars as Brittain, with Kit Harington (Game of Thrones, Pompeii) playing her fiancé Roland Leighton.