From the author of the classic "The Tao of Pooh" comes a vivid reinterpretation of a childhood classic: The Hardy Boys. Line drawings throughout.

When a house flipper’s sister vanishes and the Coast Guard suspects she faked her own death, Ellie must find her sister before they do. Ellie Blackmore is making a name for herself as a house flipper. But when her sister Mackenzie disappears, Ellie can’t focus on anything but uncovering what happened. Her only clue is the bloodstain on the deck of Mackenzie’s boat. Ellie knows her sister isn’t on the best of terms with her ex-husband, Jason, but he wouldn’t kill her—would he? Coast Guard intelligence officer Grayson Bradshaw believes Mackenzie faked her own death after stealing a seized cocaine shipment. The problem is convincing Ellie, who seems to view him as the true enemy. Both Ellie and Grayson want truth, but truth—and family—is often more complex than it first appears. And they’ll quickly find that the dangerous beauty of Lavender Tides is harboring secrets that reach around the world. Full-length romantic suspense USA TODAY and ECPA bestseller Includes discussion questions for book clubs Part of the Lavender Tides series Book 1: The View from Rainshadow Bay Book 1.5: Leaving Lavender Tides Book 2: The House at Saltwater Point Book 3: Secrets at Cedar Cabin

On holiday with friends, the Hardy boys check out the local haunted house. Deterred by screams and the dilapidated house, the group turn towards home. However, a nearly-fatal motor boat chase in the nearby bay causes the Hardy boys to wonder: is the house really haunted, or is there foul play afoot? This is the second book of the Hardy boys series, first published in 1927. It was rewritten in 1959; this Standard Ebook contains the original 1927 text. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

“With a style and voice reminiscent of William Trevor and Graham Swift, Graver’s powerfully evocative portrait of a family strained by events both large and small celebrates the indelible influence certain places can exert over the people who love them.” — Booklist (starred review) Longlisted for the 2013 National Book Award for Fiction Ashaunt Point, Massachusetts, has anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. That summer, the two older Porter girls—teenagers Helen and Dossie—run wild while their only brother, Charlie, goes off to train for war. The children’s Scottish nurse, Bea, falls in love. And youngest daughter Janie is entangled in an incident that cuts the season short. An unforgettable portrait of one family’s journey through the second half of the twentieth century, Elizabeth Graver’s The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.

This house is a whole other ball of wax. I’m sure its feelings are hurt as I write this. It fancies itself a horror house. Home of witches and murderesses. Of death and decay and destruction. And here I am calling it comforting...