A New York Times Editors' Choice and Notable Book of 2021 "Best Science Fiction, Fantasy and Horror of 2021"—The Washington Post From one of the most exciting voices in contemporary Chinese literature, an uncanny and playful novel that blurs the line between human and beast… In the fictional Chinese city of Yong’an, an amateur cryptozoologist is commissioned to uncover the stories of its fabled beasts. These creatures live alongside humans in near-inconspicuousness—save their greenish skin, serrated earlobes, and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self. Part detective story, part metaphysical enquiry, Strange Beasts of China engages existential questions of identity, humanity, love and morality with whimsy and stylistic verve.

Yan Zhitui (531–590s) was a courtier and cultural luminary who lived a colourful life during one of the most chaotic periods, known as the Northern and Southern Dynasties, in Chinese history. Beginning his career in the southern Liang court, he was taken captive to the north after the Liang capital fell, and served several northern dynasties. Today he remains one of the best-known medieval writers for his book-length “family instructions” (jiaxun), the earliest surviving and the most influential of its kind. Completed in his last years, the work resembles a long letter addressed to his sons, in which he discusses a wide range of topics from family relations and remarriage to religious faith, philology, cultural arts, and codes of conduct in public and private life. It is filled with vivid details of contemporary social life, and with the author’s keen observations of the mores of north and south China. This is a new, complete translation into English, with critical notes and introduction, and based on recent scholarship, of Yan Zhitui’s Family Instructions, and of all of his extant literary works, including his self-annotated poetic autobiography and a never-before-translated fragmentary rhapsody, as well as of his biographies in dynastic histories.

'The new masterpiece by eminent Chinese writer Yan Lianke . . . two revolutionaries take matters disastrously into their own hands while conducting a crazed affair' MARGARET ATWOOD on Twitter A breakneck adventure story following the erotic love affair of party cadres Aijun and Hongmei during China's Cultural Revolution This is the story of the freewheeling love affair between married soldier Aijun and Hongmei, a beautiful young woman from his village in the Balou Mountains. Intoxicated with one another, Aijun and Hongmei hurl themselves into their town's revolutionary struggle. Spending their days and nights stamping out feudalism, writing pamphlets and organising rallies, they become inseparable: they are the engines of history. But as their political activity reaches new heights, so does the danger of getting caught... 'A blistering tour-de-force... Sensuous and riveting' MADELEINE THIEN, Booker-shortlisted author of Do Not Say We Have Nothing 'Fascinating... This tale of an illicit tryst during the Cultural Revolution is a stinging satire' The Times **A FINANCIAL TIMES BEST FICTION IN TRANSLATION BOOK 2021**

“Heartbreakingly inspirational.” (AsianWeek) Ma Yan's heart-wrenching, honest diary chronicles her struggle to escape hardship through her persistent, sometimes desperate, attempts to continue her schooling. In a drought-stricken corner of rural China, an education can be the difference between a life of crushing poverty and the chance for a better future. But for Ma Yan, money is scarce, and the low wages paid for backbreaking work aren't always enough to pay school fees, or even to provide enough food for herself and her family. The publication of The Diary of Ma Yan was an international sensation, creating an outpouring of support for this courageous teenager and others like her . . . all due to one ordinary girl's extraordinary diary. "You don't review this small book; you tell people about it and say, 'Read it.'" (Washington Post)

From the New York Times best-selling creator of the Vanderbeekers series comes a triumphant tale of friendship, healing, and the power of believing in ourselves, told from the perspectives of two biracial sixth graders living in a homeless shelter. At first, June can’t believe it: their new home is a homeless shelter? When she’s told she can’t bring her cherished viola inside, she’s convinced the worst luck in the world landed her at Huey House. But Tyrell has lived at Huey House for three years, and he knows all the good things about it: friendship, hot meals, and the music from next door drifting through the windows. With his help, June begins to see things differently. Just as she’s starting to understand how Huey House can be a home, a new government policy threatens all the residents. Can June and Tyrell work together to find a way to save Huey House as they know it?

When Ming Da's Chinese grandpa comes to visit, he overcomes his initial embarrassment at his grandfather's traditions and begins to appreciate him.

A NEW YORK TIMES TOP BOOK OF 2015 WASHINGTON POST NOTABLE BOOK The author of Red Sorghum and China’s most revered and controversial novelist returns with his first major publication since winning the Nobel Prize In 2012, the Nobel committee confirmed Mo Yan’s position as one of the greatest and most important writers of our time. In his much-anticipated new novel, Mo Yan chronicles the sweeping history of modern China through the lens of the nation’s controversial one-child policy. Frog opens with a playwright nicknamed Tadpole who plans to write about his aunt. In her youth, Gugu—the beautiful daughter of a famous doctor and staunch Communist—is revered for her skill as a midwife. But when her lover defects, Gugu’s own loyalty to the Party is questioned. She decides to prove her allegiance by strictly enforcing the one-child policy, keeping tabs on the number of children in the village, and performing abortions on women as many as eight months pregnant. In sharply personal prose, Mo Yan depicts a world of desperate families, illegal surrogates, forced abortions, and the guilt of those who must enforce the policy. At once illuminating and devastating, it shines a light into the heart of communist China.