Catherine's last job ended badly. Corporate bullying at a top TV network saw her fired and forced to leave London, but she was determined to get her life back. A new job and a few therapists later, things look much brighter. Especially when a challenging new project presents itself — to catalogue the late M. H. Mason's wildly eccentric cache of antique dolls and puppets. Rarest of all, she'll get to examine his elaborate displays of posed, costumed and preserved animals, depicting bloody scenes from the Great War. Catherine can't believe her luck when Mason's elderly niece invites her to stay at Red House itself, where she maintains the collection until his niece exposes her to the dark message behind her uncle's "Art." Catherine tries to concentrate on the job, but Mason's damaged visions begin to raise dark shadows from her own past. Shadows she'd hoped therapy had finally erased. Soon the barriers between reality, sanity and memory start to merge and some truths seem too terrible to be real... in The House of Small Shadows by Adam Nevill.

Orphaned, two sisters are left to find their own way. Sweet and proper, Karah's future seems secure at a glamorous Flower House. She could be pampered for the rest of her life. . . if she agrees to play their game. Nemienne, neither sweet nor proper, has fewer choices. Left with no alternative, she accepts a mysterious mage's offer of an apprenticeship. Agreeing means a home and survival, but can Nemienne trust the mage? With the arrival of a foreign bard into the quiet city, dangerous secrets are unearthed, and both sisters find themselves at the center of a plot that threatens not only to upset their newly found lives, but also to destroy their kingdom.

Sophie's world is shattered when disaster bankrupts her family. She's still reeling when she's offered an unexpected solution: Mr. Argenton, a wealthy stranger, has asked for her hand in marriage. Marrying Mr. Argenton will save her family, but it condemns Sophie to a life in Northwood, a vast and unnaturally dark mansion situated hours from civilization. Still, she has no choice but accept the offer and hope the darkness won't swallow her whole. It's a struggle to adjust to her new position as mistress over the desolate house. Mr. Argenton's relatives are cold, and Mr. Argenton himself is keeping secrets. Even worse, the house is more than it seems. Doors slam. Inhuman figures slink through the surrounding forest. A piano plays itself in the middle of the night. Blood drips a macabre warning down the walls. Day by day, Sophie is inevitably pulled towards the terrifying truth at the heart of this gothic mystery: Northwood's ancient halls are haunted, and the man she married―the man she's coming to love―is hiding an unforgiveable truth about his ancestral home...and the spirits that now haunt them both.

When fifteen-year-old Xander and his family move into an old, abandoned house in the middle of a dense forest outside of a small California town, they discover that not only are some of the rooms portals into other places, but that malevolent forces are at work.

For fans of Small Spaces, Coraline, A Series of Unfortunate Events, and James Howe's Bunnicula classics comes the first book in the award-winning, New York Times bestselling Books of Elsewhere series. This house is keeping secrets . . . When eleven-year-old Olive and her parents move into the crumbling mansion on Linden Street and find it filled with mysterious paintings, Olive knows the place is creepy—but it isn’t until she encounters its three talking cats that she realizes there’s something darkly magical afoot. Then Olive finds a pair of antique spectacles in a dusty drawer and discovers the most peculiar thing yet: She can travel inside the house’s spooky paintings to a world that’s strangely quiet . . . and eerily sinister. But in entering Elsewhere, Olive has been ensnared in a mystery darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. With only the cats and an unusual boy she meets in Elsewhere on her side, it’s up to Olive to save the house from the shadows, before the lights go out for good.

"This is absorbing, headlong reading, a play on classic horror with an inventiveness of its own... As with all the best illusions, you are left feeling not tricked, but full of wonder." – The New York Times The haunting new thriller from Alex North, author of the New York Times bestseller The Whisper Man You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile--always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it’s attracted that strange kind of infamy that only exists on the darkest corners of the internet--and inspired more than one copycat. Paul Adams remembers the case all too well: Crabtree--and his victim--were Paul’s friends. Paul has slowly put his life back together. But now his mother, old and suffering from dementia, has taken a turn for the worse. Though every inch of him resists, it is time to come home. It's not long before things start to go wrong. Paul learns that Detective Amanda Beck is investigating another copycat that has struck in the nearby town of Featherbank. His mother is distressed, insistent that there's something in the house. And someone is following him. Which reminds him of the most unsettling thing about that awful day twenty-five years ago. It wasn't just the murder. It was the fact that afterward, Charlie Crabtree was never seen again...

When Kate Vavasour wakes in the hospital, she remembers nothing of the family gathered around her, or of her life before the accident. The doctors diagnose post-traumatic amnesia and say the memories should start returning. Which they do--but these memories are not hers. They belong to Isabel Vavasour, who lived and died at Askerby Hall more than 400 years earlier. Returning to Askerby Hall to recuperate, Kate finds herself in a house full of shadows and suspicions. But before she can uncover the mysteries of the present, she must first discover the truth about the past. Was Isabel's madness real, or was her mistake trusting the one person she thought would never betray her?