“And so the story went for the house at the end of the lane. It fed on death and greed and misery. Houses are built to protect what lives within their walls, but if the wrong people are in charge of building those walls, or if the wrong circumstances take place inside them, then houses can grow cruel and dark, like a human can. With too much abuse and neglect, a house can even grow evil.” Philip Moraley has it all. The perfect spouse, Abagail. The perfect children, Phillipina, Thomas, and James. All safely nestled inside of the perfect house; until his cousin, Joanna Moraley, arrives for a Christmas visit that twists this fairytale estate into a gruesome nightmare. From its rebirth into darkness as a home for wayward pregnant girls, to its return to the folds of its founding family, generations have fed this House blood, despair, tears, and anguish. Its sights are now set on the latest household of Moraley’s as they cross the threshold into its malevolent clutches. Is their love strong enough to lead the House and its inhabitants back into the light?

Angelina Neatolini came from a long line of neat and tidy people. In fact, her great, great, great, great, great, great grandfather invented the garbage can. Her mother ironed her linguini and her father vacuumed the grass. But Angelina liked to roll in the dirt whenever she could. And like most kids, Angelina wanted a pet, but pets are messy and the Neatolini parents did not allow mess in their new house at the end of Ladybug Lane, where they recently moved from the dirty city. Enter a hard-of-hearing and very daffy fairy godmother ladybug—and magic, mess, and mayhem ensued in the house at the end of Ladybug Lane, which became anything but neat. This magical, funny story has messages of tolerance, "it's OK to be different," and unrealistic parental pressure, and it features the spot-on whimsical art of newcomer Valeria Docampo.

Follows Mr. Bear, Chester Dog, Bartholomew Kangaroo, and the other inhabitants of the House at the End of the Lane as they bake, work in the garden, write poetry, and celebrate Christmas.

Winner 2023 Will Eisner Award - Best Adaptation from Another Medium. Another delightfully humorous and sweet fantasy graphic novel adaptation of a Neil Gaiman short story, brought to you by the Eisner award-winning creative team behind Troll Bridge and Snow, Glass, Apples: Neil Gaiman and Colleen Doran! An elderly British widow buys what turns out to be the Holy Grail from a second-hand shop, setting her off on an epic visit from an ancient knight who lures her with ancient relics in hope for winning the cup. From the Hugo, Bram Stoker, Locus, World Fantasy, Nebula award–winning, and New York Times bestselling writer Neil Gaiman (American Gods) comes this graphic novel adaptation by Colleen Doran (Troll Bridge, Snow, Glass, Apples).

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.