A stunning account of life behind bars at the federal penitentiary in Leavenworth, Kansas, where the nation’s hardest criminals do hard time. “A page-turner, as compelling and evocative as the finest novel. The best book on prison I’ve ever read.”—Jonathan Kellerman The most dreaded facility in the prison system because of its fierce population, Leavenworth is governed by ruthless clans competing for dominance. Among the “star” players in these pages: Carl Cletus Bowles, the sexual predator with a talent for murder; Dallas Scott, a gang member who has spent almost thirty of his forty-two years behind bars; indomitable Warden Robert Matthews, who put his shoulder against his prison’s grim reality; Thomas Silverstein, a sociopath confined in “no human contact” status since 1983; “tough cop” guard Eddie Geouge, the only officer in the penitentiary with the authority to sentence an inmate to “the Hole”; and William Post, a bank robber with a criminal record going back to when he was eight years old—and known as the “Catman” for his devoted care of the cats who live inside the prison walls. Pete Earley, celebrated reporter and author of Family of Spies, all but lived for nearly two years inside the primordial world of Leavenworth, where he conducted hundreds of interviews. Out of this unique, extraordinary access comes the riveting story of what life is actually like in the oldest maximum-security prison in the country. Praise for The Hot House “Reporting at its very finest.”—Los Angeles Times “The book is a large act of courage, its subject an important one, and . . . Earley does it justice.”—The Washington Post Book World “[A] riveting, fiercely unsentimental book . . . To [Earley’s] credit, he does not romanticize the keepers or the criminals. His cool and concise prose style serves him well. . . . This is a gutsy book.”—Chicago Tribune “Harrowing . . . an exceptional work of journalism.”—Detroit Free Press “If you’re going to read any book about prison, The Hot House is the one. . . . It is the most realistic, unbuffed account of prison anywhere in print.”—Kansas City Star “A superb piece of reporting.”—Tom Clancy

A Hugo Award–winning classic about a far-future Earth dominated by gargantuan plants and the few humans who remain Millions of years beyond our time, our Earth has long since stopped spinning—and giant flora have taken over the sunlit half of the motionless world. Here humans are among the very few animal species that still exist, struggling to survive against enormous odds, but they have become small and weak, and their numbers have dwindled to almost nothing. When the aging leader of Gren’s tribe decrees it is time for the old ones to go “Up,” the younger are left to make their own way below. Although the journey will not be an easy one for young Gren, he sets off on an odyssey across a perilous world populated by carnivorous plants and other evolved vegetation. But any knowledge to be gained at the terminator—the forbidding boundary between the day world and the night—might well prove worthless for the boy and the companions he amasses along the way when the expanding sun goes nova and their Earth is no more. A thrilling parable of courage, discovery, and survival, Hothouse is among Grand Master Brian W. Aldiss’s most beloved and enduring works. Ingeniously inventive, richly detailed, and breathtakingly lush and vibrant, the doomed world and people that Aldiss creates will live forever in the minds of all those who enter this remarkable realm.

An account of the book publisher who is home to more Nobel Prize-winning writers than any other publishing house in the world reveals the era and city that built FSG through the stories of two men--Roger Straus and Robert Giroux.

The Hot House is in part a manifesto and in part a noncanonical history of the most progressive and heretical experiments in the applied arts and design. Covering two centuries of avantgarde designs, but concentrating on the 1950s to the present, the book looks at architecture and urban design as well as graphic, interior, exhibit, industrial, and fashion design. It discusses the role that such magazines as Casabella, Domus, and Modo have played on this lively front, and provides an insider's view of such figures and groups as Alessandro Mendini, Gaetano Pesce, Alychmia, Global Tools, Michele De Lucchi, Ettore Sottsass, and-the design world's hot new movement-Memphis. It also elucidates such concepts as banal design, soft design, radical architecture, and color cultures, and relates these and other design developments to social and political issues. Protagonist of many of these experiments, Andrea Branzi calls for a theory and practice in which the old methods and instruments - pencil, square, and compass - are rendered obsolete, and the formal commandments of modernism - comfort, function, and style - are banished. If Branzi's vision of the new domestic landscape bears any relation to the future home, the places we live and objects around us are on the verge of being radically transformed. The Hot House dramatically expands the theoretical and operative limits of design. While precedents to Il Nuovo Design (The New Design) can be found in everything from Art Deco to De Stijl to Pop Art to California funk, Italy is the center of this new phenomenon and the "hot house" of its most intense activity. Beginning in the 1960s, there emerged a number of design studios that went by names like Archizoom, 9999, Superstudio, and UFO; their products redefined the basic architecture of furniture and clothing and polemicized an entire discipline. Andrea Branzi, architect and designer, has been a leading force in Italian design since the 1960s. As the founder of Archizoom Associates and member of the experimental design collective Global Tools, he is responsible for many of the experiments described in this book. He lives and works in Milan, where he is Educational Director of Domus Academy and Editorial Director of Modo.

If you do it right, it can be a life. The hothouse, the guys, the glory. But just like that, it can all go up in smoke. In the beginning it was strange, ya know, because of all that we had lost. But there was something about it that felt so good and so right, too: "I'm so proud of you, Russ." "We'll always be here for you, man." "Heroes don't pay for nothin' in this town." It was nonstop. The mayor shook my hand. Ladies sent food. I've never eaten so much baked ham in my life. And now? Now the phone won't stop ringing from the crazies ready to blame me. My mom has to cry herself to sleep. They take a firefighter, a man, and they pump him up so big. . . . But once they start taking it away from you, they don't stop until they leave nothing on the bones. First they needed heroes, then they needed blood.

DIVDIVTouched by madness and haunted by a secret past, Paul and Elsa’s relationship reveals that there can be no normality for people who witnessed the worst of war/divDIV /divDIV/divDIVIn 1970s New York, Paul and Elsa are like many other well-off middle-aged couples, worrying over their apartment and psychoanalyst bills by day, and meeting friends at restaurants by night. But this is not an ordinary couple with ordinary neuroses, as becomes clear when Paul convinces himself that Elsa’s shadow always points in the wrong direction. As Paul and Elsa’s involvement in World War II espionage begins to surface, the glitz and glamor of their lives is revealed to be nothing more than illusion./divDIV /divDIVThe Hothouse by the East River is a delirious satire of superficial urban life in the shadow of one of modern history’s great horrors./divDIV /divDIVThis ebook features an illustrated biography of Muriel Spark including rare photos and never-before-seen documents from the author’s archive at the National Library of Scotland./divDIV /divDIV/div/div

Ryke Meadows, meet Daisy Calloway ... she's all grown up. Twenty-five-year-old Ryke Meadows knows he's hard to love. With a billion-dollar inheritance, a track-star resume, and an alpha-male personality—he redefines the term likable-asshole. But he's not living to make friends. Or enemies. He just wants to free climb three of the toughest mountains in Yosemite without drama or interruption. And then he receives a distressed call from a girl in Paris. Daisy Calloway is finally eighteen. With her newfound independence, she can say goodbye to her overbearing mother and continue her modeling career. Next stop: Paris. Fashion Week begins with a bang, and Daisy uncovers the ugly reality of the industry. She wants to prove to her family that she can live on her own, but when everything spirals out of control, she turns to Ryke to keep her secrets. As Daisy struggles to make sense of this new world and her freedom, she pushes the limits and fearlessly rides the edge. Ryke knows there's deep hurt beneath every impulsive action. He must keep up with Daisy, and if he lets her go, her favorite motto—"live as if you'll die today"—may just come true.