Two hunters have a dangerous showdown with a deadly Sioux warrior in this western from Charles G. West... In the winter of 1866, trail partners Matt Slaughter and Ike Brister are hunting elk in the high lonesome of the Bighorn Mountains. But a clash with the Sioux—led by the dreaded Iron Claw—turns the knee-deep snow red with blood. Only the deadly rapid-fire of Matt’s Henry rifle—the feared spirit gun—gets him and Ike out alive. Back at Fort Laramie, Matt and Ike sign up as cavalry scouts. Prospectors on the Bozeman Trail are an endangered species, especially now that Iron Claw has declared war on all whites using the trail. When Matt’s girl is taken captive, a bloody showdown with Iron Claw is inevitable. And it’s destined to take place beyond the mountains Matt and Ike fled for dear life—in a valley called Little Bighorn… “Rarely has an author painted the great American West in strokes so bold, vivid, and true.”—Ralph Compton

A heroic chuckwagon cook knows just what to do when cowboys get hungry—for revenge:“A masterful storyteller.”—Publishers Weekly Framed for murder, Dewey “Mac” McKenzie is running for his life. Though Mac’s never even made a pot of coffee, he talks his way onto a cattle drive heading west—as a chuckwagon cook. Turns out he has a natural talent for turning salt pork and dried beans into culinary gold. He’s as good with a pot and pan as he is with a gun—which comes in handy on a dangerous trail drive beset with rustlers, hostile Indians, ornery weather, and deadly stampedes. Mac can hold his own with any cowboy twice his age. At least until the real showdown begins. . . . Trail hand Deke Northrup is one mean spit in the eye. Before long, he’s made enemies of all his men. When Mac learns that Northrup is planning to double-cross the herd’s owner, he stands up to the trail boss and his henchman. He might be outgunned and outnumbered, but Mac’s ready to serve up some blazing frontier justice—with a healthy helping of vengeance…

"A woman is kidnapped from Fort Henry by a band of renegades and hostile Ohio Valley Indians, and Lewis Wetzel and Jonathan Zane set out in pursuit, with little hope of survival."--Amazon.com

Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.

Former Texas Rangers Benton McCaleb, Will Elliot, and Brazos Gifford ride with Charles Goodnight as he rounds up thousands of ornery, unbranded cattle for the long drive to Colorado. From the Trinity River brakes to Denver, they'll battle endless miles of flooded rivers, parched desert, and whiskey-crazed Comanches. And come face-to-face with Judge Roy Bean and legendary gunslingers like Clay Allison. For McCaleb and his hard-riding crew, the drive is a fierce struggle against the perils of an untamed land. A fight to the finish where the brave reach glory—or die hard.

In the first book to focus on relations between Indians and emigrants on the overland trails, Michael L. Tate shows that such encounters were far more often characterized by cooperation than by conflict. Having combed hundreds of unpublished sources and Indian oral traditions, Tate finds Indians and Anglo-Americans continuously trading goods and news with each other, and Indians providing various forms of assistance to overlanders. Tate admits that both sides normally followed their own best interests and ethical standards, which sometimes created distrust. But many acts of kindness by emigrants and by Indians can be attributed to simple human compassion. Not until the mid-1850s did Plains tribes begin to see their independence and cultural traditions threatened by the flood of white travelers. As buffalo herds dwindled and more Indians died from diseases brought by emigrants, violent clashes between wagon trains and Indians became more frequent, and the first Anglo-Indian wars erupted on the plains. Yet, even in the 1860s, Tate finds, friendly encounters were still the rule. Despite thousands of mutually beneficial exchanges between whites and Indians between 1840 and 1870, the image of Plains Indians as the overland pioneers’ worst enemies prevailed in American popular culture. In explaining the persistence of that stereotype, Tate seeks to dispel one of the West’s oldest cultural misunderstandings.

Major routes that linked the country to the Far West are explored by Peters, including the trail blazed by Lewis and Clark, the Santa Fe Trail, and others. Illustrations.