No less a critic than Clifton Fadiman called "The Devil Rides Outside" a staggering novel. The first novel of John H. Griffin, it written during the authorOCOs decade of blindness following an injury suffered during the closing days of World War II. As "Time Magazine" described it, "The Devil Rides Outside" has some things relatively rare in U.S. letters: energy, earnestness and unashamed religious fervor. Written as a diary, the novel relates the intellectual and spiritual battles of a young American musicologist who is studying Gregorian chant in a French Benedictine monastery. Even though he is not Catholic, he must live like the monks, sleeping in a cold stone cell, eating poor food, sharing latrine duties. His dreams rage with memories of his Paris mistress; his days are spent being encouraged by the monks to seek God. He takes up residence outside the monastery after an illness, but he finds the village a slough of greed and pettiness and temptation. Indeed, as the French proverb says, the devil rides outside the monastery walls."

Bushido: A Modern Adaptation of the Ancient Code of the Samurai attempts to address the violent nature of the human spirit and to harness and redirect that trait into a constructive force for the betterment of mankind. Bushido examines the metaphor of the Warrior as it appears in human culture both historically and in the stories, philosophies and religions of mankind, drawing heavily upon the stoic martial philosophy of Feudal Japan and on the Judeo-Christian principles which have shaped the West. It is the Author's hope that this work will convey a message of self-reliance, strength and peace that our world so desperately needs.

A man wakes up on a train without any recollection of his past. The train arrives at its destination, which is an island where the man travels seven cities hoping to recover information from his past. When he finally discovers his true identity, the man is left with a decision to hold onto his new reality or accept the implications of the truth.

The most complete of all remaining surviving fragments sections of The Canterbury Tales, the First Fragment contains some of Chaucer�s most widely enjoyed work. In The General Prologue, Chaucer introduces his pilgrims through a set of speaking portraits, drawn with a clarity that makes no attempt to conceal their peculiarities. The four tales that follow - those of the Knight, Miller, Reeve and Cook - reveal a wide variety of human preoccupations: whether chivalrous, romantic or simply sexual. Brilliantly bawdy and subtly complex, each of these tales is alive with Chaucer�s skills as a poet, storyteller and creator of comedy.