Swashbuckling sailors, dashing dukes, naughty nurses, and sexy steward-esses caught in webs of love, passion, betrayal, and intrigue: these are the raw materials of the romance novel--and the lusty covers that advertise them. In The Look of Love, Jennifer McKnight-Trontz provides a rollicking history of the covers and stories that have captivated millions of readers worldwide. More than 150 of the most sensational covers from this venerable if venal literary form are shown in glorious color, focusing on the period from 1940 to 1970, romance design's most fertile era. The Look of Love features artwork and excerpts from titles such as Passion Flower, Kept Woman, Rendezvous in Lisbon, and Jungle Nurse. Along the way, it brings attention to the pioneers of the romance novel: cover artists such as Barye Phillips and Robert Maguire, who helped define the look of paperbacks in general, and Harlequin, the grand dame of romance publishers, with more than 100 million novels sold each year. McKnight-Trontz reveals the themes that typify both the story lines and the covers--hospital romance, the rich and raunchy, royalty, tropical paradises, Westerns, "taboo" relationships, pirates and warriors, and love triangles--resulting in this definitive compendium of camp. A book for romance lovers everywhere.

Available in paperback for the first time, this first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances. All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the privileged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.

From a variety of historically grounded perspectives, After the Imperial Turn assesses the fate of the nation as a subject of disciplinary inquiry. In light of the turn toward scholarship focused on imperialism and postcolonialism, this provocative collection investigates whether the nation remains central, adequate, or even possible as an analytical category for studying history. These twenty essays, primarily by historians, exemplify cultural approaches to histories of nationalism and imperialism even as they critically examine the implications of such approaches. While most of the contributors discuss British imperialism and its repercussions, the volume also includes, as counterpoints, essays on the history and historiography of France, Germany, Spain, and the United States. Whether looking at the history of the passport or the teaching of history from a postnational perspective, this collection explores such vexed issues as how historians might resist the seduction of national narratives, what—if anything—might replace the nation’s hegemony, and how even history-writing that interrogates the idea of the nation remains ideologically and methodologically indebted to national narratives. Placing nation-based studies in international and interdisciplinary contexts, After the Imperial Turn points toward ways of writing history and analyzing culture attentive both to the inadequacies and endurance of the nation as an organizing rubric. Contributors. Tony Ballantyne, Antoinette Burton, Ann Curthoys, Augusto Espiritu, Karen Fang, Ian Christopher Fletcher, Robert Gregg, Terri Hasseler, Clement Hawes, Douglas M. Haynes, Kristin Hoganson, Paula Krebs, Lara Kriegel, Radhika Viyas Mongia, Susan Pennybacker, John Plotz, Christopher Schmidt-Nowara, Heather Streets, Hsu-Ming Teo, Stuart Ward, Lora Wildenthal, Gary Wilder

This study to analyzes romantic fiction's depiction of women as part of the broader history of ideas about women.; Given the success of the Mills & Boon romance, their portrayal of subjects like sex, love, marriage, class, motherhood and femineity are important cultural barometers and make interesting study.; The author shows how all these themes have an historical trajectory and how these novels have come to reflect feminist concerns.; Based on a study of over 1000 Mills & Boon romances the book provides analysis of plot types and shows how these have changed in response to women's own changing position within society.

This is the first history of Mills & Boon, the British publishing phenomenon which has become a household name, synonymous with romantic fiction. On the firm's 90th anniversary, Joseph McAleer has written the first history of Mills & Boon, drawing upon a long-lost archive of over 50,000 letters which reveal the intricate relationship between editorial policy, social attitudes, and sales. McAleer examines the dictates of the Mills & Boon formula and demonstrates how novels were 'Managed' by the firm to ensure maximum sales and to nurture a cadre of loyal readers in Britain and throughout the Commonwealth. The result is a cultural phenomenon whose 'product' reflected the attitudes and morals of the age while offering women an addictive escape from everyday life. It's a fascinating read for anyone who's ever wondered about writing a Mills & Boon, or wants to understand the story behind one of the most successful British firms of the twentieth century.