Academic Paper from the year 2018 in the subject Interpreting / Translating , grade: 5.0, , language: English, abstract: The primary aim of this thesis is to present the art of literary translation through the perspective of a book. This book was written by the musician Władysław Szpilman and depicts his life. Szpilman is a survivor of the Warsaw Ghetto, which is the period in Polish history that was shadowed by the horrors of mass murders both on Polish and Jewish nations. Translation gives us access to the literature of the world. It allows us to enter the minds of people from other places. And it enriches not only our personal knowledge and artistic sense, but also our culture’s literature, language, and thought. Still, literary translation is an odd art. It consists of a person sitting at a desk, writing literature that is not his or her own but has someone else’s name on it. Like a musician, a literary translator takes someone else’s composition and performs it in his own special way. Just as a musician embodies someone else’s notes by moving his body or throat, a translator embodies someone else’s thoughts and images by writing in another language.

The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.

This publication considers how cinema, as a major modern art form, has covered topics relating to the Holocaust in documentaries and fiction, historical reconstructions and more symbolic films, focusing on the question of realism in ethical and artistic terms. It explores a range of issues, including whether cinema is an appropriate method for informing people about the Holocaust compared to other media such as CD-ROMs, video or archive collections; whether it is possible to inform and appeal to the emotions without being explicit; and how the medium can nurture greater sensitivity among increasingly younger audiences which have been inured by the many images of violence conveyed in the media. Films discussed include Schindler's List, Life is Beautiful, The Pianist, Sophie's Choice, Shoah, Au revoir les enfants, The Great Dictator and To Be or Not to Be.

This timely book takes an original transnational approach to the theme of Nazism and neo-Nazism in film, media, and popular culture, with examples drawn from mainland Europe, the UK, North and Latin America, Asia, and beyond. This approach fits with the established dominance of global multimedia formats, and will be useful for students, scholars, and researchers in all forms of film and media. Along with the essential need to examine current trends in Nazism and neo-Nazism in contemporary media globally, what makes this book even more necessary is that it engages with debates that go to the very heart of our understanding of knowledge: history, memory, meaning, and truth.

Highlights the surprising ways in which the Nazi regime permitted or even fostered aspirations of privacy.

Winner of the National Jewish Book Award: The story of how a Catholic priest uncovered the truth behind the murder of more than a million Ukrainian Jews. Father Patrick Desbois documents the daunting task of identifying and examining all the sites where Jews were exterminated by Nazi mobile units in Ukraine in WWII. Using innovative methodology, interviews, and ballistic evidence, he has determined the location of many mass gravesites with the goal of providing proper burials for the victims of the forgotten Ukrainian Holocaust. Compiling new archival material and many eye-witness accounts, Desbois has put together the first definitive account of one of World War II’s bloodiest chapters. Published with the support of the United States Holocaust Memorial Museum. “This modest Roman Catholic priest from Paris, without using much more than his calm voice and Roman collar, has shattered the silence surrounding a largely untold chapter of the Holocaust.” —Chicago Tribune “Part memoir, part prosecutorial brief, The Holocaust by Bullets tells a compelling story in which a priest unconnected by heritage or history is so moved by an injustice he sets out to right a daunting wrong.” —The Miami Herald “Father Desbois is a generation too late to save lives. Instead, he has saved memory and history.” —The Wall Street Journal “An outstanding contribution to Holocaust literature, uncovering new dimensions of the tragedy . . . Highly recommended.” —Library Journal (starred review)

These essays analyze representations of the Holocaust perpetrators. In doing so, they explore what has until now held critics back from this topic, including moral and emotional distaste, the dangers of confusing understanding with exculpation, and the possibility of problematic identification.