Fantasy and horror, shadows and dark forms lurking around every corner, in alleys and hallways, in statues and ancient tomes, intruding upon thoughts and minds...and, of course, the esteemed Professor Abelard.

Six teens struggle to discover the source of their strange and horrific abilities in this first book of The Star Shards Chronicles. Dillon has the terrifying power to create massive amounts of destruction with the slightest tweak of his will. Deanna is so consumed by fear, it has become like a black hole, drawing to her the very things that terrify her. Then, when the glare of a supernova sixteen light-years away illuminates the night sky, they have a vision: There are six of them out there, all teenagers, and all suffering from supernatural afflictions that disfigure their bodies and souls. Only by finding one another will the six ever be strong enough to defeat these mysterious forces that, bit by bit, are devouring their souls from the inside out. Acclaimed author Neal Shusterman “combines personal quest, horror, and science fiction into an absorbing exploration of good and evil, guilt, forgiveness and personal responsibility” (VOYA) in this thrilling start to a riveting trilogy. Originally published by Tor Fantasy in 1995.

From the award-winning author of the collection Every House Is Haunted comes Ian Rogers's horror story, "Shards", a Tor.com Original A group of five friends rent a cabin in the woods—the next day only four are alive. What happened and why is something the survivors are desperate to unravel. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A New York Times Notable Book: “Brilliant . . . With verbal glee, Prcic serves up a darkly comic vision of the terrors and misunderstandings of immigration” (Shelf Awareness). Ismet Prcic’s brilliant, provocative, and energetic debut novel is about a young Bosnian, also named Ismet Prcic, who has fled his war-torn homeland and is now struggling to reconcile his past with his present life in California. He is advised that in order to make peace with the corrosive guilt he harbors over leaving his family behind, he must “write everything.” The result is a great rattlebag of memories, confessions, and fictions: sweetly humorous recollections of Ismet’s childhood in Tuzla appear alongside anguished letters to his mother about the challenges of life in this new world. As Ismet’s foothold in the present falls away, his writings are further complicated by stories from the point of view of another young man—real or imagined—named Mustafa, who joined a troop of elite soldiers and stayed in Bosnia to fight. When Mustafa’s story begins to overshadow Ismet’s new-world identity, the reader is charged with piecing together the fragments of a life that has become eerily unrecognizable, even to the one living it. Shards is a thrilling read—a harrowing war story, a stunningly inventive coming of age, and a heartbreaking saga of a splintered family. “Fierce, funny and real, it also says much about war, exile, guilt and fear.” —Chicago Sun-Times, Favorite Books of 2011

The world is gone, destroyed by human, ecological, or supernatural causes. Survivors dodge chemical warfare and cruel gods; they travel the reaches of space and inhabit underground caverns. Their enemies are disease, corrupt corporations, and one another; their resources are few and their courage is tested. Powerful original dystopian tales from nine bestselling authors offer bleak insight, prophetic visions, and precious glimmers of light among the shards and ashes of a ruined world. Stories from: Kelley Armstrong Rachel Caine Kami Garcia Nancy Holder Melissa Marr Beth Revis Veronica Roth Carrie Ryan Margaret Stohl

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

A 12-year-old slave on a gigantic, traveling "wagon city" joins forces with a new--and magical--slave, and as they plan their escape they encounter mystery, enchantment, and deadly monsters while their one chance for freedom draws ever nearer.