A key to the interpretation of rock art of the American Southwest, providing descriptions and illustrations of rock art symbols, along with their ascribed meanings, and including general and specific information on rock art sites.

According to traditional Navajo belief, seizures are the result of sibling incest, sexual witchcraft, or possession by a supernatural spirit—associations that have kept such disorders from being known outside Navajo families. This new study is concerned with discovering why the Navajos have accorded seizures such importance and determining their meaning in the larger context of Navajo culture. The book is based on a 14-year study of some 40 Navajo patients and on an epidemiological survey among the Navajos and among three Pueblo tribes.

The Anaasází people left behind marvelous structures, the ruins of which are preserved at Mesa Verde, Chaco Canyon, and Canyon de Chelly. But what do we know about these people, and how do they relate to Native nations living in the Southwest today? Archaeologists have long studied the American Southwest, but as historian Robert McPherson shows in Viewing the Ancestors, their findings may not tell the whole story. McPherson maintains that combining archaeology with knowledge derived from the oral traditions of the Navajo, Ute, Paiute, and Hopi peoples yields a more complete history. McPherson’s approach to oral tradition reveals evidence that, contrary to the archaeological consensus that these groups did not coexist, the Navajos interacted with their Anaasází neighbors. In addition to examining archaeological literature, McPherson has studied traditional teachings and interviewed Native people to obtain accounts of their history and of the relations between the Anaasází and Athapaskan ancestors of today’s Hopi, Pueblo, and Navajo peoples. Oral history, McPherson points out, tells why things happened. For example, archaeological findings indicate that the Hopi are descended from the Anaasází, but Hopi oral tradition better explains why the ancient Puebloans may have left the Four Corners region: the drought that may have driven the Anaasází away was a symptom of what had gone wrong within the society—a point that few archaeologists could derive from what is found in the ground. An important text for non-Native scholars as well as Native people committed to retaining traditional knowledge, Viewing the Ancestors exemplifies collaboration between the sciences and oral traditions rather than a contest between the two.

Probably no native American handicrafts are more widely admired than Navajo weaving and Navajo and Pueblo silver work. This book contains the first full and authoritative account of the Indian silver jewelry fashioned in the Southwest by the Navajo and the Zuni, Hopi, and other Pueblo peoples. It is written by John Adair, a trained ethnologist who has become a recognized expert on this craft. “A volume conspicuously pleasing in its format and so strikingly handsome in its profuse illustrations as to rivet your attention once it chances to fall open. With the care of a meticulous and thorough scholar, the author has told the story of his several years’ investigation of jewelry making among the Southwestern Indians. So richly decorative are the plates he uses for his numerous illustrations showing the jewelry itself, the Indians working at it and the Indians wearing it—that the conscientious narrative is surrounded by an atmosphere of genuinely exciting visual experience.”—The Dallas Times Herald The Navajo and Pueblo Silversmiths provides a full history of the craft and the actual names and localities of the pioneer craftsmen who introduced the art of the silversmith to their people. Despite its present high stage of development, with its many subtle and often exquisite designs, the art of working silver is not an ancient one among the Navajo and Pueblo Indians. There are men still living today who remember the very first silversmiths.

The work of four early women ethnographers--Elsie Clews Parsons, Ruth Benedict, Gladys Reichard, and Ruth Underhill-- and their emphases on women's roles in Southwestern Indian cultures.