"A virtuosic, witty, charming translation of the greatest epic ever written about mice, with wonderful illustrations by Grant Silverstein. Stallings’ elegant rhyming couplets are the perfect choice to honor the mousy Muse."—Emily Wilson, Professor of Classics, University of Pennsylvania From the award-winning poet and translator A. E. Stallings comes a lively new edition of the ancient Greek fable The Battle between the Frogs and the Mice. Originally attributed to Homer, but now thought to have been composed centuries later by an unknown author, The Battle is the tale of a mouse named Crumbsnatcher who is killed by the careless frog King Pufferthroat, sparking a war between the two species. This dark but delightful parable about the foolishness of war is illustrated throughout in striking drawings by Grant Silverstein. The clever introduction is written from the point of view of a mouse who argues that perhaps the unknown author of the fable is not a human after all: “Who better than a mouse, then, to compose our diminutive, though not ridiculous, epic, a mouse born and bred in a library, living off lamp oil, ink, and the occasional nibble of a papyrus, constantly perched on the shoulder of some scholar or scholiast of Homer, perhaps occasionally whispering in his ear? Mouse, we may remember, is only one letter away from Muse.” "[Stallings] couplets . . . have a lively, nimble music that should captivate modern ears . . . Providing an earthy, oboe-like obligato to Ms. Stallings's airs are the illustrations of Grant Silverstein, cross-hatched sketches that multiply like mice on the page . . . The Battle, in which beans are happily worn rather than eaten, still has the power to delight."—Wall Street Journal A. E. Stallings is an American poet who has lived in Athens, Greece since 1999. She studied Classics at the University of Georgia, and later at Oxford University. She has published four collections of poetry, Archaic Smile (which won the 1999 Richard Wilbur Award), Hapax (recipient of the Poets’ Prize), Olives (a finalist for the National Book Critics Circle Award), and Like (a finalist for the Pulitzer Prize in Poetry). Her translation of Lucretius (into rhyming fourteeners), The Nature of Things, was called by Peter Stothard in the TLS “One of the most extraordinary classical translations of recent times.” Grant Silverstein is an American artist who specializes in etchings of a narrative character and in studies of figures, landscapes, and animals. With his wife and two cats, he spends winters holed up in his studio in rural Pennsylvania, where he uses a catch and release system for visiting mice and the occasional frog. Come spring, he ventures forth to display his work at outdoor festivals; he feels fortunate to have made his living this way for forty years. He has illustrated two previous Paul Dry Books titles, Davey McGravy by David Mason and The Verb 'To Bird' by Peter Cashwell.

You will never see war the same way after reading this extraordinary retelling of an ancient Greek fable about a tragically unnecessary battle between mice and frogs. With haunting illustrations, this miniature masterpiece ranks with Animal Farm as one of the greatest parables of human foibles. Originally published in 1962, The Battle of the Frogs and the Mice tells in words and pictures a classic tale of the foolhardiness of war. When Crum-snatcher, a Mouse, cautiously mounts the back of Puff-jaw, King of the Frogs, to explore the Frogs’ pond, the Mouse meets with a disaster which soon brings the two nations into mortal conflict. The course of this tempest in a teapot is developed with wit to assume heroic proportions, and the battle of this small world becomes the story of wars through the ages. George Martin has made an imaginative, free adaptation of a fable originally ascribed to Homer, but now believed to have been written about three hundred years after him by an unknown author. The book’s events are brilliantly depicted by the drawings of Fred Gwynne, a versatile artist known for his role as Herman Munster in the sit-com hit The Munsters. Gwynne’s haunting and unsparingly illustrations portray this chronicle from its pastoral beginning to its bitter end. Together, Martin and Gwynne have made a book of grim delight for adults and young readers alike.

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.

This book offers students of Greek and scholars interested in Greek literature the first English-language commentary on the "Battle of Frogs and Mice+?, a short animal epic ascribed to Homer in the ancient world. The book includes a contextualizing introduction covering issues of literary genre, literary history and the language of Homeric Greek. In addition to a revised Greek text, the volume also offers a new translation of the poem. The commentary furnishes readers with extensive linguistic and literary information so that they may investigate the problem of the poem's character and authorship on their own. A full vocabulary at the back ensures this is a one-stop shop for students reading the poem.

George Chapman's translations of Homer--immortalized by Keats's sonnet-- are the most famous in the English language. Swinburne praised their "romantic and sometimes barbaric grandeur," their "freshness, strength, and inextinguishable fire." And the great critic George Saintsbury wrote, "For more than two centuries they were the resort of all who, unable to read Greek, wished to know what the Greek was. Chapman is far nearer Homer than any modern translator in any modern language." This volume presents the original text of Chapman's translation of the Homeric hymns. The hymns, believed to have been written not by Homer himself but by followers who emulated his style, are poems written to the gods and goddesses of the ancient Greek pantheon. The collection, originally titled by Chapman "The Crowne of all Homers Workes," also includes epigrams and poems attributed to Homer and known as "The Lesser Homerica," as well as his famous "The Battle of Frogs and Mice."

In addition to the Homeric Hymns, this volume contains fragments of five comic poems that were connected with Homer's name in or just after the Classical period, along with several ancient accounts of the poet's life.