An entertaining collection of photographs and trivia on filmland's biggest box office successes from 1939 through 1988, covering the five most successful movies of each year. Annotation copyrighted by Book News, Inc., Portland, OR

In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. Coincidentally it was the story of a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical. The Other Side of the Wind was supposed to take place during a single day, and Welles planned to shoot it in eight weeks. It took twelve years and remains unreleased and largely unseen. Orson Welles' Last Movie is a fast-paced, behind-the-scenes account of the bizarre, hilarious and remarkable making of what has been called "the greatest home movie that no one has ever seen."

When Beverly Hills High School welcomed a skinny boy from the other side of the tracks, no one knew just how life-changing the decision would be, not just for Carter Paysinger but for all of Beverly Hills. Carter grew up hearing his parents say, “Don’t just strive to be good. Always strive to be great.” He dreamed of finding greatness in playing professional baseball or becoming a black Donald Trump, but fate had different plans and, ultimately, he found his calling as a teacher and coach at the school that once embraced him, becoming a rock for the innumerable kids who came seeking an ear to listen or a shoulder to cry on. One such kid, a scrappy Jewish boy from a prominent family, would change the course of Carter’s life. His name was Steven Fenton. Twenty years later, as Beverly Hills High fell into disarray—with principals hired and fired and families fleeing the school—as well as his own life coming apart, Carter ran into Steven Fenton again. Together, they found renewed passion and hope to fight for their school and test the limits of what community means. But when Steven convinced Carter to throw his hat into the ring as principal, the progressive Beverly Hills suddenly thought that its winningest and most beloved coach didn’t fit the profile for the Beverly Hills image. It was the beginning of a long road, but Carter could hear his father saying, “Don’t listen to those voices. Do what you have to do.” Filled with hope, triumph, and the struggles that come to define us, Where a Man Stands is a beautiful fish-out-of-water story about the families formed in unlikely places and how, in the end, where you stand, and with whom, and for what, matters as much as anything.