Alfred Hitchcock relished his power to frighten us and believed the shocks he administered improved our psychological health. But he could never satisfactorily explain our curiosity to see forbidden things or the perverse desire to experience anxiety and dread that made his work so popular. In The Hitchcock Murders, Peter Conrad, one of Hitchcock's eager victims, undertakes the task on the master's behalf. At the age of thirteen, Conrad snuck into his first screening of Psycho, and he's been wary of showers and fruit cellars ever since. Thanks to Hitchcock, he's also suspicious of staircases, seagulls, and crop-dusting planes. Now he sets out to analyze the nature of Hitchcock's appeal to both himself and the millions of moviegoers for whom Hitchcock is cinema's foremost auteur. Examining Hitchcock's use of religion, morality, conscience, culpability, and literary symbols, Conrad unveils a chilling Nietzschean universe-one in which there is no God and no moral standard, where humans are petty and disposable and the neutral hand of fate can take a life in the blink of an eye. A timid, respectable man with the imagination of a psychopath, a chubby jester whose practical jokes took merciless advantage of human insecurities, Hitchcock is revealed here as the man who knew too much-about all of us.

There's a psycho out there. He's murdering a young woman every Tuesday, killing in gruesome ways inspired by the movies of Alfred Hitchcock. Forced on a fast-track scheme for ethnic minority officers, Josa Jilani has been rocketed to Detective Superintendent with the London Met. But someone high up wants her to fail and she's made senior investigating officer in the hunt for the serial killer. Out of her depth, scared and with her reputation and livelihood on the line, she's determined to stop the murders and make her dad proud. She has a week to catch a killer.

In 1957, Alfred Hitchcock is filming his latest thriller, Vertigo. The famous director receives a woman's ear and decides to investigate with the help of retired LAPD detective Chess Slatery.

Murder—a dark, shameful deed, the last resort of the desperate or a vile tool of the greedy. And a very strange obsession. But where did this fixation develop? And what does it tell us about ourselves?Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of the modern era, murder entered the popular psyche, and it’s been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime—and a riveting investigation into the English criminal soul by one of our finest historians.

Marli Renfro was Janet Leigh's body double in the Hitchcock classic Psycho. When she disappeared, it was believed she was the victim of a serial killer. It was a mystery that took decades to solve-and a crime that could only have happened in Hollywood.

47 tales of murder for profit, revenge, accident, or assassination are related with twists and turns, if necessary

Shortlisted for CrimeFest Awards' Best Crime Novel for Children 2019 When Viv has a fight with Noah, she doesn't think it'll be the last time she sees him. But when she gets back from school, he's nowhere to be found and there are police cars everywhere, lights flashing and sirens blaring. Viv is sure Noah's run away to get attention. But it's really cold, and getting dark, and the rain just won't stop falling. So she sets off to look for him, furious at his selfishness, as the floodwaters rise. And then she finds him, and realises that a much more dangerous story is unfolding around them... From the author of Dear Scarlett, Saving Sophia and Murder in Midwinter "The story creeps in on you like darkness at dusk - a truly intriguing mystery!" - Chris Bradford, author of the Young Samurai series