Who made the first snowman? Who first came up with the idea of placing snowballs on top of each other, and who decided they would use a carrot for a nose? Most puzzling of all: How can this mystery ever be solved, with all the evidence long since melted? The snowman appears everywhere on practically everything -- from knickknacks to greeting cards to seasonal sweaters we plan to return. Whenever we see big snowballs our first impulse is to deck them out with a top hat. Humorist and writer Bob Eckstein has long been fascinated by this ubiquitous symbol of wintertime fun -- and finally, for the first time, one of the world's most popular icons gets his due. A thoroughly entertaining exploration, The History of the Snowman travels back in time to shed light on the snowman's enigmatic past -- from the present day, in which the snowman reigns as the King of Kitsch, to the Dark Ages, with the creation of the very first snowman. Eckstein's curiosity began playfully enough, but soon snowballed into a (mostly) earnest quest of chasing Frosty around the world, into museums and libraries, and seeking out the advice of leading historians and scholars. The result is a riveting history that reaches back through centuries and across cultures -- sweeping from fifteenth-century Italian snowballs to eighteenth-century Russian ice sculptures to the regrettable "white-trash years" (1975-2000). The snowman is not just part of our childhood memories, but is an integral part of our world culture, appearing -- much like a frozen Forrest Gump -- alongside dignitaries and celebrities during momentous events. Again and again, the snowman pops up in rare prints, paintings, early movies, advertising and, over the past century, in every art form imaginable. And the jolly snowman -- ostensibly as pure as the driven snow -- also harbors a dark past full of political intrigue, sex, and violence. With more than two hundred illustrations and a special section of the best snowman cartoons, The History of the Snowman is a truly original winter classic -- smart, surprisingly enlightening, and quite simply the coolest book ever.

A thoroughly entertaining exploration, this book travels back in time to shed light on the snowman's enigmatic past -- from the present day, in which the snowman reigns as the King of Kitsch, to the Dark Ages, with the creation of the very first snowman. Eckstein's curiosity began playfully enough, but soon snowballed into a (mostly) earnest quest of chasing Frosty around the world, into museums and libraries, and seeking out the advice of leading historians and scholars. The result is a riveting history that reaches back through centuries and across cultures -- sweeping from fifteenth-century Italian snowballs to eighteenth-century Russian ice sculptures to the regrettable "white-trash years" (1975-2000). The snowman is not just part of our childhood memories, but is an integral part of our world culture, appearing -- much like a frozen Forrest Gump -- alongside dignitaries and celebrities during momentous events. Again and again, the snowman pops up in rare prints, paintings, early movies, advertising and, over the past century, in every art form imaginable. And the jolly snowman -- ostensibly as pure as the driven snow -- also harbors a dark past full of political intrigue, sex, and violence. With over two hundred illustrations, The Illustrated History of the Snowman is a truly original winter classic -- smart, surprisingly enlightening, and quite simply the coolest book ever.

You might never build another snowman again! If you have ever cast an uncomfortable glance over your shoulder when passing the silent snowy sentinels that stand looking at you as you pass on the icy sidewalk, if you've ever questioned what might really happen if the old silk hat placed on Frosty the Snowman's head was truly magic, then these two dark humor snowman tales by Mark Leslie are for you. THAT OLD SILK HAT THEY FOUND Why does that classic song always portray a jolly, happy snowman dancing around and celebrating life? What if, once the kids placed that old silk hat on Frosty's head, it wasn't quite the magical experience? IDES OF MARCH In the middle of March a middle-aged man frustrated with the benign activity of filling out his annual tax forms is confronted with a bizarre event - two hulking creatures appear in a pick up truck and are intent on kidnapping the snowman from the front yard.

Countering dominant narratives of conflict through attention to memory and trauma This volume presents approaches to the archaeology of war that move beyond the forensic analysis of battlefields, fortifications, and other sites of conflict to consider the historical memory, commemoration, and social experience of war. Leading scholars offer critical insights that challenge the dominant narratives about landscapes of war from throughout the history of North American settler colonialism. Grounded in the empirical study of fields of conflict, these essays extend their scope to include a commitment to engaging local Indigenous and other descendant communities and to illustrating how public memories of war are actively and politically constructed. Contributors examine conflicts including the battle of Chikasha, King Philip’s War, the 1694 battle at Guadalupe Mesa, the Rogue River War, the Dakota-U.S. War of 1862, and a World War II battle on the island of Saipan. Studies also investigate the site of the Schenectady Massacre of 1690 and colonial posts staffed by Black soldiers. Chapters discuss how prevailing narratives often minimized the complexity of these conflicts, smoothed over the contradictions and genocidal violence of colonialism, and erased the diversity of the participants. This volume demonstrates that the collaborative practice of conflict archaeology has the potential to reveal the larger meanings, erased voices, and lingering traumas of war. A volume in the series Cultural Heritage Studies, edited by Paul A. Shackel

If you're looking to confidently manage your money, The Snowman's Guide to Personal Finance is an excellent choice. Whether you're just starting out or you already have a financial plan, this book will provide actionable ways to improve your current situation. You'll also be able to revisit topics in the future as your life evolves. My goal is to help you spend your money stress-free and enjoy your life today. All while ensuring you can continue your lifestyle in the future. We'll cover actionable steps to: Save money for the future - Automate your savings plan - Rethink your expenses - Repay debt Put your savings to work - Manage your risk - Understand how to invest your savings - Lower your taxes Protect yourself from the unexpected - Set aside money for emergencies - Understand your insurance needs - Know when to write a will

“A vast, beguiling...postmodern novel of ideas, misread intentions, and robots, told in words, pictures, symbols, and even blank pages” by the author of Well (Kirkus). Rooted in the western United States in the decade after 9/11, Matthew McIntosh’s epic and elliptical novel follows a young writer and his wife as he attempts to write the follow-up to his first novel. He desperately searches for a form that will express the world as it has become, even as it continually shifts all around him. Pop-up ads, search results, web chats, snippets of conversation, lines of code, and film and television stills mix with alchemical manuscripts, classical works of literature—and the story of a man who wakes up one morning having lost his memory. His only clue to his own identity is a single blank document on his computer called theMystery.doc. From text messages to The Divine Comedy, first love to artificial intelligence, the book explores what makes us human—the stories we tell, the memories we hold on to, the memories we lose—and the relationships that give our lives meaning. Part love story, part memoir, part documentary, part existential whodunit, theMystery.doc is a modern epic about the quest to find something lasting in a world where everything—and everyone—is in danger of slipping away. “McIntosh is a slacker Proust, writing about the underclass of Spokane rather than the upper classes of Paris as he attempts to convert memories and experience into art...a remarkable achievement.”—Steven Moore, Washington Post