This book offers a new critical history of the idea of Europe from classical antiquity to the present day.

Discusses how a distinctive 'European' identity has grown over the centuries, especially with the EU.

The quasi-federal European Union stands out as the major exception in the thinly institutionalized world of international politics. Something has led Europeans—and only Europeans—beyond the nation-state to a fundamentally new political architecture. Craig Parsons argues in A Certain Idea of Europe that this "something" was a particular set of ideas generated in Western Europe after the Second World War. In Parsons's view, today's European Union reflects the ideological (and perhaps visionary) project of an elite minority. His book traces the progressive victory of this project in France, where the battle over European institutions erupted most divisively. Drawing on archival research and extensive interviews with French policymakers, the author carefully traces a fifty-year conflict between radically different European plans. Only through aggressive leadership did the advocates of a supranational "community" Europe succeed at building the EU and binding their opponents within it. Parsons puts the causal impact of ideas, and their binding effects through institutions, at the center of his book. In so doing he presents a strong logic of "social construction"—a sharp departure from other accounts of EU history that downplay the role of ideas and ideology.

This book puts the idea of Europe in its historical context, tracing it back to the ancient Greeks and their association of Europe with political freedom. From this starting point the first essay shows how Europe became identified with Christendom in the fifteenth century and with 'civilization' in the eighteenth, before being used by nineteenth-century reformers and reactionaries either to promote change or to defend the status quo. Twentieth-century developments are the focus for discussion in the other two essays. A number of 'projects' for Europe are examined against the background of the two world wars, consideration is given to recent trends towards political and economic integration and an assessment is offered of the contemporary relevance of the European idea.

The Idea of Europe finds George Steiner reckoning with Europe from a number of different angles. “Europe,†? he writes, “is the place where Goethe’s garden almost borders on Buchenwald, where the house of Corneille abuts on the market-place in which Joan of Arc was hideously done to death.†? It is, in other words, a continent rich with contradiction, whose many tensions—cultural, social, political, economic, and religious—have for centuries conspired to pull it apart, even as it has become more and more unified. But what lies ahead for a continent whose borders are growing and economic might is strengthening, even as its cultural identity recedes? A continent where, in Steiner’s words, “young Englishmen choose to rank David Beckham high above Shakespeare and Darwin in their list of national treasures†?? This is the trajectory that Steiner explores so brilliantly in The Idea of Europe.

Heikki Mikkeli charts the history of the idea of Europe and European identity. The first part introduces the various attempts to unify Europe from antiquity to the European Union. In the second part the relationship of Europe with America and Russia is considered, as well as the ambivalent role of Central Europe.